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All tracks by Andy Potterton
184 Tracks
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Ghost like sounds and voices drift in and out between the prominent drum track.
Guitar riffs along with drums and synths drive this music along with pace and determination.
Float through the stars and galaxies with this spacey theme seeped in reverb and spacious effects.
Bounce funk with pianos, electric pianos and bubbly synth effects,
A dark drone forms the bass of this track whilst light, shimmering raindrops fall down and soothe the sinister atmosphere.
Deep guttural sounds intercut with rhythmic sounds create an unsettling feel to this soundscape.
Quirky jungle track that is simply a rhythm with a growling bass, and several sound effects - most notably the sound of a spaceship taking off at the start.
Reversed chords form the backing of this ethereal soundscape.
This funky urban track oozes confidence and arrogance in equal measures. Lively rhythms back a rasping synth melody that bends and curls around the groovy accompaniment. Staccato section provides a contrast to the smooth and playful main tune.
A simple descending melody over a pulsing garage beat.
Pure chillout music. Electric piano phrases echo in a spacious setting as string chords appear in waves. Cool and sophisticated, this track has a slightly melancholic undertone, but is always chilled and uncluttered.
Exciting and dramatic, this fast track is full of energy and adventure. Frantic rhythms and staccato accompaniment drive along the subtle gliding melody as the chase surges forward to music that gets more intense.
Smooth, cool and ultra modern R 'n' B. Funky rhythm guitars and strings.
Deep bass notes give a sense of terror. A real feeling of being somewhere scary.
Eighties retro feel to this energetic dance track. The lively rhythm accompaniment bounces along at a lively and upbeat pace whilst strange bell melodies add an industrial ambience to this highly automated piece. Rhythmical and machine like.
Drums create an almost tribal feel to the rhythm whilst sounds bubble away to create quirky water effect.
