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All tracks by Bjorn Lynne
888 Tracks
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Background music track with a nerve, a certain element of mystery and a sense of passing time. Highly suitable for game shows, trivia or quiz games, puzzle games, problem solving etc. Keeps a fairly low key, so it doesn't get to intrusive or stressful, even after repeated plays.
A warm, sweet and comforting goodnight song with acoustic guitar, piano and flute.
Kids tune with a catchy melody, groovy bassline and a fun and friendly arrangement, childrens music.
Mid-tempo, rich and lush ambient electronica with a downtempo electronica beat and a deep bass groove. This is a pretty long track at over 8 minutes featuring varied parts throughout. Somewhat magical, floaty and 'otherworldly'. Could be good for ice caps, space flight, space imagery, underwater footage, flying / traveling, technology and science, visual presentations of many types.
An earthy, folk'y, laid-back and easy going outdoor / nature track featuring acoustic guitars and piano. Happy and light hearted, but in a relaxed way. Can be nature, fishing, hiking, rambling, camping, just having fun outdoors. Available both with and without the Didgeridoo.
Funky Hip-Hop track, mid-tempo (90 BPM) with a variety of synth / organ, guitar licks, orchestral strings and electric bass guitar. Cool / Strutting / Confident / Quirky.
Rhythmic, percussive, dark. Chase or battle. Deep pounding drums, deep drone, twitchy strings, dissonant horns.
A sweet little goodnight twinkly tune. Could be from a toy-box, musical toy, or just as a goodnight baby tune.
Far-Eastern feel with Chinese/Tibetan cymbals, monk choirs. Moods go from light to dark, through mysterious, majestic, then back to light.
The Epic Series is a series of 26 individual music tracks. Semi-orchestral, semi-electronic soundtrack work inspired by Babylon 5, etc. Brooding, pompous, epic, military style. Some of these are grouped together -- i.e. Epic 1 calm, Epic 1 Suspense and Epic 1 Battle use the same instrumentation and underlying tempo, making them work well together. Of course, they work well individually too.
A dark and ominous piece with heavy use of the Taiko drum and japanese, chinese Gong. No melody, all percussion. Martial Arts, Japanese triads, dark, foreboding, military, historical, impending battle. Chase scene, etc.
Subtle, low key, background underscore for film. Mysterious, like distant echoes of the past. Great for history, mystery, ancient tales, drama, and fantasy. Musical backdrop which provides a nerve and atmosphere, without standing out or grabbing the attention too much.
Like a car race between high-speed junkies, breathless, always forward, apart from brief pit stops
Like a car race between high-speed junkies, breathless, always forward, apart from brief pit stops. A version that plays with the tension.
Happy, jolly, nice and easy version of the Christmas classic. Piano, bass, strings and occasional trumpet.
Cool, slick and slightly retro styled, the sound is inspired by classic TV detective series and spy films, setting the scene for danger, crime, mystery, police, international agents and beautiful ladies. The horns secure the complete image. And it' funky, too!
Bright and friendly, a modern and catchy arrangement, positive motivating. Easy listening, but with standard and class
Mechanical, Serious, Industry, Machinery, Strong, Confident. Good for corporate video etc.
african soundtrack piece which goes through many different stages throughout it's duration -- from the floating to the rhythmic, from light to dark, from sparse to dense, from the tribal and percussive to the ethereal with drones. There are many different cues in this piece, all contributing to a highly useable African soundscape.
A short 1950's style rockabilly track in the sound of 'Rock Around the Clock', etc.
This is a long track featuring Tablas played in the unique middle eastern "finger" style, along with Sitars, Thai or Indian Reed flute and a suitably arab sounding 'drone' sound. The track goes through several different stages of various intensities and themes.
