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All tracks by Michael Stephen Decker
225 Tracks
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Gaming or adventure music with a relentless marching thrust that includes smouldering interludes shot through with flurries of eastern flutes. There is also a Contemporary Mix which adds Urban style drums for a hip-hop soundtrack feel.
A futuristic & contemporary down tempo bass and groove support a fairytale-ish music box that dips and glides over deep, warm pads. A mid section breakdown leads to a breath taking leap as the track lifts again in the final third. Depicts wide open spaces, heightened senses and ecology moving hand in hand with new technology. With its state-of-the-art chill out groove, this is very suitable for commercials and visual presentations. Similar in style & instrumentation to the track Three Little Wishes.
Austin Powers and James Bond collide in this kitch and upbeat authentic sounding 1960's TV titles track featuring a big brassy horn section, guitar, synthesiser, bass and drums.
Cut to the core, seriously funky dancefloor stomper.
Cutting edge percussive FX fused to a dystopian orchestral break. Evoking visions of speed, excellence and futuristic, hybrid technology. Well matched with the Michael Stephen Decker track 'Speed of Night'.
A bright, uplifting & heart warming melody with the feel of an independent comedy drama or children’s animated feature. Orchestration adds humour and a sense of fun & a longing cello line adds a tinge of melancholy. Calming & buoyant with a quirky, positive outlook.
A melody of spacious strings & soprano voice quickly descend into darkness & mystery. Fantasy, sci-fi, adventure. Perhaps magic or mysterious intrigues. Amazement, wonderment.
Urban beats mix with orchestral breaks for this wicked pastiche of modern culture which is both outrageous and witty. FX and scratches suggest visual cues and the various edits work together to make up an entire themed package for a modern parody. Seriously good fun!
Majestic and dark, this fantasy inspired passage canters towards wavering violins at 00:41.
Combining elements of the primal and the modern, this positive and uplifting ethnic-meets-electronic track develops over time and reaches full instrumentation at about 01:10.
Huge brass stabs, string lines and cymbal crashes tumble towards a thrilling central theme in this energetic orchestral workout. Suitable for battles, dramatic chases & scenes of conflict.
A playful, light hearted reggae tinged theme that innocently burbles happily along towards a big “uh-oh” moment that happens at 8 bar intervals throughout the piece. Suitable for reality style programming gaming sequences or commercials that involve a reveal moment.
Rising adagio strings accompany a dipping and gliding woodwind line evoking a sense of wide open space and grandeur. A soaring mid section is followed by an angelic choir that joins the rising strings. In the style of classical masters such as Barber and Elgar.
Impending doom that builds with cinematic awe to a climactic chasm at 01:09. Suspenseful, tense, foreboding, nervous.
A witty, bouncy uptempo orchestral overture with twittering flutes, brassy horns and pizzicato cellos. A variety of happy and sad cues make it highly suitable for use with a humorous commercial/infomercial narrative. Reminiscent of post war comedies and Aardman Animation. Or the post irony of Curb Your Enthusiasm and Danny Elfman style film scores.
With a bright & jaunty skip in the step, this mischievous romp pays homage to the golden age of whacky comedy film scores while still remaining ironic & contemporary sounding. The memorable hookline makes it a fun motif for radio & TV ads, cartoons, short films & games. Similar in style & sentiment to Michael Stephen Decker’ ‘An Unfortunate Incident’, ‘Another Working Day’ and ‘A Midnight Symphony’.
This lively & mischievous filmic sounding leitmotif builds from quizzical phrases into busy, bustling orchestration that hurries along with occasional humorous hesitations. Evoking excitement & magic or the busy drudgery of the working day. Matched in style & character to other Elliot Simon’s tracks, Another Lovely Day, The Secret Path, A Midnight Symphony, Hotel Tango and An Unfortunate Incident.
Patriotic, uplifting & energetic classical rhythmic theme with horns, strings and pounding percussion. Includes piccolo interludes that build up to a glorious main theme.
Brooding, distorted guitar riffs floats above a smouldering dystopian landscape awash with strange metallic artefacts. This dark but strangely beautiful soundscape encompasses many different styles to create a unique atmospheric theme equally at one with either action or scene setting narratives.
Divine beauty and an aura of mystery in this futuristic mix of choirs and washes. Its sense of charismatic wonderment & dark intrigue makes it suitable for science, nature, ecology, sporting events, mystery or drama. Similar in style & sentiment to Michael Stephen Decker’ ‘Dark Horizon’, ‘Sky Dreams’ and ‘An Amazing Future’. The Underscore Version is without the angelic voices and takes on a more sinister atmosphere.
