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Electro-pop / Synth-pop track with somewhat innocent, naïve feel. Slightly melancholic, but also bright, sparkly and innocent. Good for first love, retro 1980's feel, youth TV series, romance, amazing stories, amazement / night sky, and more.
A very feelgood, bright and sparkly Electro-pop / Synth pop track that combines retro and new sounds with a crisp, modern production style. Happy and uncomplicated, a little bit quirky. Good track for when you're going for a unique, interesting sound with an optimistic feel.
Wide drums, reverberated and distant strings give this track an open and mysterious feel. An underlining bass pulse brings a constant feel of tension. The track builds up to a big drum drop with effects that resemble a monster growl. Big hits layered with low bass following a wide and atmospheric opening theme create a strong impact. This track is good for movie and game trailers, scenes of investigation and spy scenes.
Edgy, distorted, mechanical sounding, with huge drums and bit-crushed, acidic synths. Very dark. Doom laden, with pounding percussion and a relentless, aggressive feel. Orchestral sounds mangled and combined with edgy synth work.
This lively & mischievous filmic sounding leitmotif builds from quizzical phrases into busy, bustling orchestration that hurries along with occasional humorous hesitations. Evoking excitement & magic or the busy drudgery of the working day. Matched in style & character to other Elliot Simon’s tracks, Another Lovely Day, The Secret Path, A Midnight Symphony, Hotel Tango and An Unfortunate Incident.
A wide, brooding cinematic soundscape featuring spacey pads, a rhythmic topline and deep, distant drum fills.
A sense of impending doom builds from distant bells to sinister cellos, drums & a climax at 2:45.
Floating through wide open spaces, rivers and canyons these dreamlike baritone guitar licks are as laid back as a campfire under the stars. Subtle, dreamy washes give this retro style Country & Western a futuristic twist.
Building from a deep, visceral bassline & solid driving rhythm into a kalidascope of colourful swooping layers, this long, rolling, almost hypnotic workout is the perfect accompaniment for freedom, movement & discovery tinged with mystery & excitement. At nearly 5 minutes in length, it can be used as a continuous theme with or without accompanying narration. Approximately 4 minutes in, the driving rhythms fade out & you’re left with a pleasant, ambient wash that will mix seamlessly into the track ‘Free Ride Sunset’.
A darting soprano voice is offset by bursts of percussion and sweeping passages of hope, beauty & elegance in this modern, dramatic theme. A contemporary feel makes this suitable for cutting edge drama, title sequences or documentary narrative such as green issues or science & technology. Similar in instrumentation and mood to the Michael Stephen Decker tracks, Sky Dreams, Dawn of Freedom and Three Little Wishes.
This amusing & magical leitmotif features lively pizzicato cellos as they tip toe towards a marching Mariachi trumpet line that vanishes into thin air, only to be replaced again by the creeping, mischievous cellos. Hotel Tango is matched in style & character to the other Elliot Simon’s tracks, Another Working Day, The Secret Path, A Midnight Symphony and An Unfortunate Incident.
Moving, swarming ambient bed with a foreboding, dark drone and a resonant melody line. Space, sci-fi, mystery...
A playful, light hearted reggae tinged theme that innocently burbles happily along towards a big “uh-oh” moment that happens at 8 bar intervals throughout the piece. Suitable for reality style programming gaming sequences or commercials that involve a reveal moment.
With a bright & jaunty skip in the step, this mischievous romp pays homage to the golden age of whacky comedy film scores while still remaining ironic & contemporary sounding. The memorable hookline makes it a fun motif for radio & TV ads, cartoons, short films & games. Similar in style & sentiment to Michael Stephen Decker’ ‘An Unfortunate Incident’, ‘Another Working Day’ and ‘A Midnight Symphony’.
Squawking techno meets ska in this unhinged rave up with retro sounding drums & bass and a burbling chicken-like synth. It’s outrageous and more than a little bit daft. Suitable for cartoon graphics, micro games, commercials, short films or off beat comedy videos.
Infectious parody of Laid back 60’s jazzy acoustic guitar with a sweet rolling rhythm from a vintage drum machine. Bursting with quirky charm & romance, the descending chord sequence would suit repetitive plays as in games or menus. Slightly oddball and full of fun.