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Latin party track. Fast latino 'stomp' featuring nylon guitars, driving bass and percussion.
Mainstream Rap arrangement for shrewd talkovers
Threesomes Trance track, with a sensitive piano hook, dreamy backings and the support of large sparkling synths
quirky, fun & groovy track inspired by the old 'bee' classic. has an air of energy & mischief to it until the chorus kicks in and it takes off into the skies like a retro theme to some American spy,cop,thriller series. Contains orchestral strings & brass, bass & drums
Upbeat Latin pop with the proper live feel, something positive for rainy afternoons
Bustling, Successful, Vibrant
The Epic Series is a series of 26 individual music tracks. Semi-orchestral, semi-electronic soundtrack work inspired by Babylon 5, etc. Brooding, pompous, epic, military style. Some of these are grouped together -- i.e. Epic 1 calm, Epic 1 Suspense and Epic 1 Battle use the same instrumentation and underlying tempo, making them work well together. Of course, they work well individually too.
Background music track with a nerve, a certain element of mystery and a sense of passing time. Highly suitable for game shows, trivia or quiz games, puzzle games, problem solving etc. Keeps a fairly low key, so it doesn't get to intrusive or stressful, even after repeated plays.
A bossa nova oozing with confidence, definely "A" Team material to get the job done
Dramatic trumpet, choir and orchestra in the spaghetti-western style. Percussive and tense.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.