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Chopin composed many mazurkas, (a Polish folk dance), and this is one of his most familiar. Not too fast, but swirling and with a light playfulness, it has a calmer interlude before resuming the dance.
The second on Debussy's Arabesques is faster, brighter and more lively. Although the two works are usually put in the '20th Century' classical music period, they are now being increasingly seen as a separate impressionistic style popular with European composers.
Slightly faster and more playful than the introduction to the first movement, this is the first variation of the Theme from the Mozart Piano Sonata No.11.
The fourth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is rather grand and regal. Full of grandeur and very stately.
The fifth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is light and airy. The melodies climb up into the sky and carry you off on clouds of delight.
The fastest variation of the Theme from the first movement of Mozart's Piano Sonata No.11 sparkles with energy and vivacity. A wonderful and lively ending to round off the variations of the main Theme.
Popular and amusing, this piano solo by Dvorak is the most famous of his '8 Humoresques'. A loose and flowing track which has been used in many humorous settings. Great for conveying a little comical, witty or satirical feeling.
2252 tracks, not registered with a PRO
4514 tracks, registered with a PRO