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A light, but busy, sweeping and swirling electronic track with light digital melodics. Suitable for presentation of information, data, data flow, science and technology. Positive and uplifting.
A set of 9 audio stingers, idents, audio logos. Suitable for Flash intro, company logo splash screen, screen transitions, etc.
Beatty groovey techno-synthy verses mix it up with intensely heavy rock choruses to make one mean mother of a riff-fest.
A civil war marching tune featuring piccolo, flute and many snares. The army marches to the battlefield, great for documentaries.
Full of 'Joie de vivre' this accordion and mandolin led piece is a bright, filmic, retro sounding waltzer conjuring up visions of traditional European city streets, mountains, lakes, fairgrounds, carousels, flowers and festivals.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
An orchestral Christmas tune with sleigh bells and driving rhythm.