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Life at the limit, tough rock track with clear riffs and a clear direction - forward.
Very dark and brooding piece. Builds with tension as it goes along. Starts with spacey synth pads and then explodes into distorted and twisted life. The mid break brings in some spacey, atmospheric textures before the inevitable last crushing chorus. Style wise similar to nine inch nails. Contains synths, guitars, drums and lots of distortion. Would suit thriller type project.
Extremely tense orchestra with random hits and lots of dissonances.
Hard hitting scary orchestra cue with lots of big dissonance hits.
An Action/horror/terror cue for full orchestra, Intense, scary and frightening inspired by Gustav Holst - the planets - Mars the Bringer of war
Dramatic, nervous piano arpeggios and melody lines give this track a slightly unsettled feeling to it's intro ... but then a wall of guitars, bass and drums bursts in and brings you to energized life. The cycle begins again only this time with searing lead guitar solos playing over the top.
Psychedelic intro then straight for the throat in this dramatically intense, stompy post punk riffest-fest. Think Foo Fighters meet Deftones. Contains lead and rhythm guitars, bass, drums and strings.
Short classical sequence for the witching hour. Produces immediately goose pimbles.
Drama filled adrenaline fueled stomp-rocker. Hefty guitars, strings, bass and drums combine to make a high energy high tension track. Would suit action,extreme sports projects.
Simple, melodic, up-tempo power rocker with loads of lead guitar. The chorus brings in a string section to add to the adrenalised intensity. Hints of Satriani and Foo Fighters. The mid drops to just hi-hats and rimshots and clean picked guitar arpeggios only to slowly build in intensity once more. Contains drums, bass, strings and piles of guitars.
Hard driving scary orchestra with big hits.
Driving dissonant orchestra for big Action-Terror cue.
Slow moving, heavy orchestra, extremely tense and scary.