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A percussion-only Battle- or Fight track, Urgent drumming on Taiko and other Eastern / Japanese / Tibetan percussion gives the track a Historical feel; perhaps ancient Japan / Oriental / Far East, or Fantasy worlds, Martial Arts, hand to hand combat, fighting and brawling, chase or wild escape, Available in three different tempo options,
A gentle penny whistle melody with lush strings and light toms. Reflective and peaceful.
Romantic orchestral music, tender and gentle. Suits sensitive and emotional moments.
An orchestral Christmas tune with sleigh bells and driving rhythm.
This track sounds like the ingredients Reggae, Acoustic and Pop have all been mixed within a summer dish to create this joyful soundtrack. With influences such as Jack Johnson and Jason Mraz, this track is a beautiful uplifting track.
Stacc Brass with uplifting string chords, very rhythmic. Moody middle part - heartful choir in the end with a lot of hits - good for trailers.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".