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Film Music 205/285

Film Music

 

1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO
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5102. Sacrifice 01:47

Slow paced track with digital drums and deep digital basslines mixed with orchestral hits and strings. Broken future, bleak and ominous. The build up is slow into a melodic yet unsettling drop with strings and crushed drums that resemble a gun shot. A good track for movie and video game trailers, scenes of struggle and repression. Also for forensic investigation, crime / crime scene, spy and undercover agent, etc.


Sacrifice
5103. Sin And Punishment 02:06

This track opens with a low cello that sets the tone for a serious and dark theme. Strings that keep rising accompanied by huge orchestral hits that build to a massive drop that will crush your audience. Truly angry drums in the main drop are heavily distorted and slow but with a very big impact. Good for movie and video game trailers, extreme sports and fight scenes.


Sin And Punishment
5104. Soul Hunter 02:14

Slow pace track with a synth layered guitar. A tense melody that builds with big drums to a high pitch distortion. The track drops into a slow and heavy bass drop with distorted drums and synthesizers. The melody slowly returns to a quiet resolve at the end of the track. This track is good for video game and movie trailers, scenes with a hero or a soldier, fight scenes and dark themed moments.


Soul Hunter
5105. United 02:07

This track has a prominent brass theme that inspires unity and calls to battle. Orchestral theme filled with rising strings and huge drum hits. The song builds to a digitally distorted drop with gritty synthesizers and gliding melodies. Good for movie and video game trailers as well as action sports and battle sequences.


United
5106. Unknown Territory 01:54

Wide drums, reverberated and distant strings give this track an open and mysterious feel. An underlining bass pulse brings a constant feel of tension. The track builds up to a big drum drop with effects that resemble a monster growl. Big hits layered with low bass following a wide and atmospheric opening theme create a strong impact. This track is good for movie and game trailers, scenes of investigation and spy scenes.


Unknown Territory

Big sounding synths that resemble a distant roar set the mood of the track. The opening synthesizers build up to a major drop with huge drums and animal like digitized roars. The track breaks down into a wide slow moment with a melodic 80's style synth. The second drop brings even more of the bionic animal to the track building with big hits and drums. Suitable for game and movie trailers, as well as fight scenes, sci-fi and sports.


Bionic Animal (No Lead Synth)
5109. Breakout (No Choir) 01:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (No Choir)

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (Stronger Drums)
5112. On The Edge 02:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually until it bursts into a hard edged, gritty Dubstep beat. Good for action trailers, extreme sports, battle / warfare and more. Tech/Mech feel.


On The Edge

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (Extended Version)

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (No Drums Version)
5115. Rise Of The Machine 02:35

Emotional strings set the mood for this track. Big hits sound distant yet powerful. The main drop happens at about 1 minute into the track, with bit-crushed, mechanical sounding drums. Violent, dramatic, epic, futuristic. For epic trailers, sci-fi, scenes of rising armies. Also for sports / achievement / grit.


Rise Of The Machine
5116. Trailer Madness 01:23

Edgy, distorted, mechanical sounding, with huge drums and bit-crushed, acidic synths. Very dark. Doom laden, with pounding percussion and a relentless, aggressive feel. Orchestral sounds mangled and combined with edgy synth work.


Trailer Madness

A soaring arrangement that builds into blissful layers of cello and voice. Soulful, dreamy and reflective, this beautiful piece is played by professional cellist, Shena Power who has played on other Michael Stephen Decker tracks, The Cairn Stones, Mountain Lake and Celtic Requiem.


A Gentle Moment (Underscore Version)

Gaming or adventure music with a relentless marching thrust that includes smouldering interludes shot through with flurries of eastern flutes. There is also a Contemporary Mix which adds Urban style drums for a hip-hop soundtrack feel.


Advancing Forces (Contemporary Mix)

Rising adagio strings accompany a dipping and gliding woodwind line evoking a sense of wide open space and grandeur. A soaring mid section is followed by an angelic choir that joins the rising strings. In the style of classical masters such as Barber and Elgar.


Angels In Flight (Underscore Version)

A witty, bouncy uptempo orchestral overture with twittering flutes, brassy horns and pizzicato cellos. A variety of happy and sad cues make it highly suitable for use with a humorous commercial/infomercial narrative. Reminiscent of post war comedies and Aardman Animation. Or the post irony of Curb Your Enthusiasm and Danny Elfman style film scores.


Another Lovely Day (Underscore Version)

This lively & mischievous filmic sounding leitmotif builds from quizzical phrases into busy, bustling orchestration that hurries along with occasional humorous hesitations. Evoking excitement & magic or the busy drudgery of the working day. Matched in style & character to other Elliot Simon’s tracks, Another Lovely Day, The Secret Path, A Midnight Symphony, Hotel Tango and An Unfortunate Incident.


Another Working Day (Underscore Version)
1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO