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Film Music 9/285
Film Music
1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO
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Slow and grave, ('Lent et grave'), the third Gymnopedie is perhaps the most heartbreaking. The whole ambience is punctuated by mournful melodies that have become so popular in modern productions.
The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
An American Christmas Dream, joyful symphonic jumble.
Gymnopedie No.2 has an aura of sombreness about it. 'Lent et triste', (slow and sad), is the instruction to the player. Very atmospheric with a feeling of calm resignation. Huge amounts of space in the composition for thoughtful reflection.
Floating string pads with ethereal female voice and penny whistle. Very peaceful and and introspective.
Big action techno spy cue, with guitar, modulating synth bass and orchestra.
A happy, joyful orchestral soundtrack piece in a 'big sky' style. Great open landscapes, new adventures, exciting and uplifting. Classic movie soundtrack style, highly suitable for movie production, western film or family adventure. Bright, promising, a positive outlook and grand new discoveries.
This sneaky and lightly comedic soundtrack has sudden mood changes shifting back and forth from mysterious suspense to playful curiosity. Well suited for humorous cross cutting scenes, cartoons, animation, kids programs, whodunit capers, and more.
The first of Liszt's Liebestraums, (Dreams of love), is a delicate and tender piece. Always light and very spacious it sets the tone for the three works as a whole. Wonderful for romantic segments, weddings and nostalgic memories.
Lyrical recorder & cello in a Clannad and Enya tinged piece. The track starts off with a soft Celtic music theme. After about 1 min 15 seconds it changes pace into a jolly forest dance, and then returns to the longing opening theme, before closing with Enya-like voice textures.
Beautiful melodies glide with effortless grace at the start of this famous Chopin piano solo. It becomes more intense before a soft ending. Used in many productions such as the James Bond film 'The Spy Who Loved Me'.
The minor key of this waltz gives the piece a melancholic, almost sad feel. The soloist plays at a medium tempo without straying too far from the initial melody, then a more optimistic section lifts the gloom before it returns to melancholy to finish.
full orchestra, featuring Strings, Woodwinds and percussion
Full Orchestra with Choir and percussion. Intense and Scary, Big Climax.
1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO