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Nu Metal 3/10

Metal >> Nu Metal

 


3 of 10
37 tracks, not registered with a PRO
207 tracks, registered with a PRO
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54. superfly 04:16

Irresistibly funky guitar based tune that makes your head nod and your foot tap. Big grooves, pimped-out feel and phat riffs combine with spacey chords and hard driving choruses. Slightly reminiscent of Satriani and Nuno Bettencourt in feel. Contains guitars, bass and drums.


superfly
55. Steamhammer 04:18

Ten seconds of synth bass drama hail the entrance of monolithic downtuned monster guitars pile in and the riff-fest begins. The verse section's groove is based on a huge massive bass pulse groove and intriguinly mysterious synth pads. The chorus melds big guitars with a string section playing eastern scales....all quite exotic. As the mid 8 comes, the strings take over and add to the tension. Finally a searing lead guitar enters and plays, all the while building the tension, until the end, when the strings say goodbye.


Steamhammer
59. Medusa 04:48

Imagine walking through the ruins of a haunted castle at night, never knowing what night be round the next cobweb covered corner. A very black and sinister piece. Slow with a building tension. Contains synths, drum kit, guitars and bass.


Medusa
62. Swagger 05:15

Powerful, intense, weighty, driven, determined riff rocker. slightly reminiscent of rage against the machine in it's groovy monster riffness. has a very tension-filled, soaring guitar solo towards the end. big guitars mix with huge drum grooves to make music that would suit sports/thriller/action projects


Swagger
63. Slam 05:04

A truly driven piece of adrenaline rock. Guitars and riffs everywhere backed by monster bass and drums. lead guitar takes the place of vocal melodies, soaring high into the stratosphere until the final lead solo bursts into flames. Foo Fighters meets Satriani.


Slam
65. Rampage 05:25

Pure rock drama! Waves of guitars and drums come crashing in on the intro synth sequence...intensity builds through the verse until the chorus attacks with full on guitars and staccato strings. The last chorus has 2 searing lead guitar solos to up the heat just one more notch. Contains guitars, bass, strings, synth and drums.


Rampage
66. yakuza 04:27

Uniquely intense riff-fest with a Japanese flavour to it. Interwoven koto lines begin the track and are soon overrun by a huge deluge of distorted guitar riffs, bass and drums. These two groups of instruments dual and parry through the tune giving great dynamics and drama.


yakuza
68. Quark 04:49

Like Black Sabbath jamming with the Chemical Brothers and inviting Korn to join in. Hypnotic trashy beats, spacey synth leads and weaving bendy bass lines meld with huge blunt guitars. In the end section, things get quite out of hand as the Tsunami of guitars swamp the Electronica and pummeling ensues until the monster takes it's last breath.


Quark
71. firefly 05:48

Very dark and brooding piece. Builds with tension as it goes along. Starts with spacey synth pads and then explodes into distorted and twisted life. The mid break brings in some spacey, atmospheric textures before the inevitable last crushing chorus. Style wise similar to nine inch nails. Contains synths, guitars, drums and lots of distortion. Would suit thriller type project.


firefly
72. flex 05:11

Groove laden, gargantuan riff-lead track that takes you on a journey. Has a kind of bluesy flavour to the verse guitar parts and shuffle feel to the drums and bass. Plenty of cool, catchy guitar licks and leads and lush piano and strings to add colour. Contains guitar, bass, drums, piano and strings.


flex
73. glow 04:48

A lone piano begins a lament, soon joined by distant choirs and a sedentary drum beat. Then emotive strings swell and bring more colour. In the outro section a searing guitar solo says it's final piece. Oh stop crying and buy it, it's lovely! Contains piano, strings, choirs, bass and drums.


glow
74. menace to society 04:53

Slow spacey rocker. Starts slow and sleazy and gains in intensity And emotion as it progresses. Lots of cool guitar licks and lush sounds. Think Jeff Beck meets Satriani at Steve Lukather's barbecue. Contains guitars, bass, drums and keyboards.


menace to society
75. Outlaw 03:03

No messing rock blaster. A cross between Queens of the Stone Age & Foo Fighters...with just a little Journey and Thin Lizzy thrown in just to see what happens. Plenty of dirty guitar riffs and lead licks. Would suit action/thriller type film or extreme sports/motor racing project.


Outlaw
37 tracks, not registered with a PRO
207 tracks, registered with a PRO
3 of 10