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Peaceful, Meandering, Wistful
Gaming or adventure music with a relentless marching thrust that includes smouldering interludes shot through with flurries of eastern flutes. There is also a Contemporary Mix which adds Urban style drums for a hip-hop soundtrack feel.
Swirling harp arpeggios with ethereal flute melodies make a dreamy, shimmering musical soundscape inspired by fantasy and fairy tales.
Authentic sounding medieval instruments play a bawdy, brazen celtic dance number for the Tudor court. The track varies in tempo, with some uptempo parts and others slow.
Combining elements of the primal and the modern, this positive and uplifting ethnic-meets-electronic track develops over time and reaches full instrumentation at about 01:10.
This enchanting novelty marching tune suggests the magic and intrigue of Eastern European fables and parables. A little bit wonky & off-kilter, Its naive child-like quality suggests a toy military band or images of a hurdy-gurdy or Calliope at a fairytale fairground. Builds from a single instrument into a small ensemble and then lifts by two semitones with an added glockenspiel & solo flute. Quirky / Novelty.
An expressive and very cinematic theme led by a chinese flute and gamelan, resulting in a strong asian/chinese/japanese cinema sound. Very heroic and emotive.
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A popular set of beautiful and proud sounding Irish traditional hornpipes from the 1850 collection "O'Neill's Music of Ireland", played by whistle, guitar, bodhran and fiddle. Begins with Dunphy's Hornpipe and leads into Stack of Barley at 1:41 at which point the fiddle joins in. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A driving set of Irish traditional jigs, beginning with Morrison's, and leading into Out in the Ocean at 1:02 which is slightly more happy and upbeat in tone. Mandolin, fiddle, whistle and guitar play the opening, and when bodhran joins in at 0:31, you really get the feel for Irish traditional music - similar almost to Riverdance music. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A driving set of Irish traditional jigs, beginning with Morrison's, and leading into Out in the Ocean at 1:02 which is slightly more happy and upbeat in tone. Mandolin, fiddle, whistle and guitar play the opening, and when bodhran joins in at 0:31, you really get the feel for Irish traditional music - similar almost to Riverdance music. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A beautiful, sad and longing Irish air played by tin whistle and synth pad. "Ned of the Hill" is the English translation of the Irish title "Éamonn an Chnoic". This is a popular, slow and mornful ballad about an Irish aristocrate who lived in Tipperary and led a bandit gang who called for the overthrow of William of Orange. 100% live performance.