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Woodwinds 27/130

 


[< 27 >] of 130
830 tracks, not registered with a PRO
2403 tracks, registered with a PRO
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651. Oblivion 06:05

A sad and emotional, epic drama soundtrack piece. Softly swaying string sections backed by a full philharmonic orchestra get the goosebumps out. Melodies full of emotion, between dark and light. A sorrowful, single soprano voice occasionally sings out, giving the track an angelic, heavenly, otherworldly feel. Great for fantasy, sci-fi, drama, grand adventures, epic love stories. This track is recorded with a live philharmonic orchestra and choir.


Oblivion
656. Suffocation 06:04

Fantasy style orchestral soundtrack. Dark, gloomy and ominous. Big horn sections, mysterious melodies. Great for fantasy, epic adventures, dark times, horror, impending doom and conflict. Occasional deep vocal grunts and chants. This piece plays for over 6 minutes with plenty of variation, and can be used for several different cues, or used all together as background atmosphere. This track is recorded with a live philharmonic orchestra and choir.


Suffocation
660. Embraced by Angels 05:09

Mysterious intro with great restraint... maintains an emotion that is both relaxing and haunting, builds gradually... enchanting female vocalist... a powerful piece... Gregorian chantlike tones... dreamy, ambient yet still classical.


Embraced by Angels
661. Damnation 01:05
662. Chaos 01:05

Urgent, dramatic soundtrack piece with live choir. Spine-tingling, epic, high drama, very highly suitable as film trailer, movie trailer, game trailer, commercial, movie intro, in-film battle sequence, etc. Fast pounding percussion, big drums, huge orchestral stabs, horns and strings fluttering, choir chanting. Very dramatic and intense.


Chaos

A magical, sweeping, cinematic piece with a 'lurking' feel, Good as background music for fantasy and adventure, this track uses a full orchestra with bells, Pensive chord progressions, A sense of mystery and intrigue, Amazement and wonderment, Somewhat "Harry Potter-esque", Very craftfully produced orchestral sound,


Into The Abyss (No Choir)
830 tracks, not registered with a PRO
2403 tracks, registered with a PRO
[< 27 >] of 130