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[< 59 of 62
330 tracks, not registered with a PRO
1216 tracks, registered with a PRO
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1458. Catch The Spy 02:28

A mix of horror and thriller, this track has two distinct sections. The verse has a timid, nervous feel enhanced by piano bass notes. The chorus is more lively with piano chords set to a disturbing rhythm. Creepy and secretive.


Catch The Spy
1459. Forensics 02:59

Full of criminal intent and sinister thoughts, this track features piano and synths as the main instruments and produces a great soundtrack for crime and thrillers. The intensity builds with guitars and rasping sounds to create a tense masterpiece.


Forensics
1460. Last Breaths 02:13

Sombre and guilty, this track is laden with remorse and sad emotions. Slow and subdued with a very spacious feel, this features modern synth sounds that combine and interact to create a very thoughtful and reflective soundtrack.


Last Breaths
1461. Magnetic Field 02:43

Light synth sounds bouncing off deeper bass tones and a busy but subtle drum beat allow this industrial track to have a hi-tech, futuristic feel. Piano melodies give a slightly mysterious atmosphere on a piece which could be used for crime and thrillers too.


Magnetic Field
1462. Manic Disposition 02:23

Weird and spooky, this upbeat track contains piano chords searching for a balanced and perfect world. A fast drum track beats out a chase-style rhythm which allows you to use this piece for a variety of mysterious settings.


Manic Disposition
1463. Proving A Point 04:36

Electric pianos introduce a slightly sinister motif that opens out into a track that has a great deal of mystery and tension. Ideal for crime and thrillers, it has a more upbeat section which acts as though a breakthrough has been achieved before returning to the dark uncertainty.


Proving A Point

A melodic theme for orchestra and piano that suggests reminiscence or love, The piece is reflective and peaceful, Could be useful in a variety of contexts including love scenes, flashbacks, and scenes of bittersweet loss,


On Reflection (No Piano)

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


Showdown (Underscore Version)

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


The Bard And His Bride (Flute Harp Piano)

A grand, excited, and thrilling orchestral cue, Good for action and drama, adventure and fantasy, Despite the name, of course not limited to anything to do with pirates, This can be a great cue for a scene of amazement and wonderment in any action adventure or fantasy movie, perhaps something magical or truly amazing,


March Of The Ghost Pirates (No Choir No Shouts)

Mystery, intrigue and magic in this deep, tense / pensive fantasy underscore, Creepy, sneaky, underlying tension, Good for adventure, exploring, lurking danger, Use in fantasy games, sci-fi / horror film, mystery and suspense, Full orchestra; available with or without choir,


Lair Of The Necromancer
1473. The Siren (No Choir) 01:16

A mystical and amazing track featuring full orchestra, choir and a solo female voice with a very exotic, foreign, strange and alluring tone, Dramatic and intense, the orchestra sweeps and swoops, whilst the voice provides a strange and unusual quality; is she wailing in sorrow or spinning a web of intrigue and temptation? Also available without the vocals,


The Siren (No Choir)

A mystical and amazing track featuring full orchestra, choir and a solo female voice with a very exotic, foreign, strange and alluring tone, Dramatic and intense, the orchestra sweeps and swoops, whilst the voice provides a strange and unusual quality; is she wailing in sorrow or spinning a web of intrigue and temptation? Also available without the vocals,


The Siren (No Solo Voice)
330 tracks, not registered with a PRO
1216 tracks, registered with a PRO
[< 59 of 62