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Cunning 162/222

 

1498 tracks, not registered with a PRO
4033 tracks, registered with a PRO
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4029. Binary Clash 02:17

A pulsing synthesizer sets the tone for a dark atmosphere in the beginning. Drums with a hint of bit-crushed distortion build up and then quiet down before a massive drop. The main drop hits with a huge impact of drums and low bass. Layered in electronic melody gives the track a modern and edgy feel, but keeps a serious tone. Resembles "Tron Legacy" soundtrack.


Binary Clash
4032. Sacrifice 01:47

Slow paced track with digital drums and deep digital basslines mixed with orchestral hits and strings. Broken future, bleak and ominous. The build up is slow into a melodic yet unsettling drop with strings and crushed drums that resemble a gun shot. A good track for movie and video game trailers, scenes of struggle and repression. Also for forensic investigation, crime / crime scene, spy and undercover agent, etc.


Sacrifice
4033. Sin And Punishment 02:06

This track opens with a low cello that sets the tone for a serious and dark theme. Strings that keep rising accompanied by huge orchestral hits that build to a massive drop that will crush your audience. Truly angry drums in the main drop are heavily distorted and slow but with a very big impact. Good for movie and video game trailers, extreme sports and fight scenes.


Sin And Punishment
4034. Soul Hunter 02:14

Slow pace track with a synth layered guitar. A tense melody that builds with big drums to a high pitch distortion. The track drops into a slow and heavy bass drop with distorted drums and synthesizers. The melody slowly returns to a quiet resolve at the end of the track. This track is good for video game and movie trailers, scenes with a hero or a soldier, fight scenes and dark themed moments.


Soul Hunter
4035. United 02:07

This track has a prominent brass theme that inspires unity and calls to battle. Orchestral theme filled with rising strings and huge drum hits. The song builds to a digitally distorted drop with gritty synthesizers and gliding melodies. Good for movie and video game trailers as well as action sports and battle sequences.


United

Big sounding synths that resemble a distant roar set the mood of the track. The opening synthesizers build up to a major drop with huge drums and animal like digitized roars. The track breaks down into a wide slow moment with a melodic 80's style synth. The second drop brings even more of the bionic animal to the track building with big hits and drums. Suitable for game and movie trailers, as well as fight scenes, sci-fi and sports.


Bionic Animal (No Lead Synth)
4038. Breakout (No Choir) 01:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (No Choir)

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (Stronger Drums)

A dark, edgy and gritty, slow but aggressive Dubstep track. Mangled and distorted synthesizers stutter and pump, with a mechanical, robotic, relentless and hard edged beat. Atmospheric, unstable, nasty. Good for hardcore material including scifi, extreme sports, extreme motorsports, conflict and mayhem.


Darkest Day (Low Effect Filter Fade)
4044. Most Wanted 02:08

Drum and bass style track with a dub-step flavoured bassline. It starts off with a softer style bassline wobble until the first breakdown. A sharp acid synth is introduced in the breakdown and builds to the main drop. Growly acid synth shines in the second drop, and is surrounded by edgy drums and industrial noises. An alarm like sound trails off to the end of the track. This track goes well with car chases, car commercials, extreme sports, racing, fight scenes, chase scenes etc.


Most Wanted
4045. On The Edge 02:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually until it bursts into a hard edged, gritty Dubstep beat. Good for action trailers, extreme sports, battle / warfare and more. Tech/Mech feel.


On The Edge

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (Extended Version)

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (No Drums Version)

Gaming or adventure music with a relentless marching thrust that includes smouldering interludes shot through with flurries of eastern flutes. There is also a Contemporary Mix which adds Urban style drums for a hip-hop soundtrack feel.


Advancing Forces (Contemporary Mix)

A witty, bouncy uptempo orchestral overture with twittering flutes, brassy horns and pizzicato cellos. A variety of happy and sad cues make it highly suitable for use with a humorous commercial/infomercial narrative. Reminiscent of post war comedies and Aardman Animation. Or the post irony of Curb Your Enthusiasm and Danny Elfman style film scores.


Another Lovely Day (Underscore Version)
1498 tracks, not registered with a PRO
4033 tracks, registered with a PRO