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A driving set of Irish traditional jigs, beginning with Morrison's, and leading into Out in the Ocean at 1:02 which is slightly more happy and upbeat in tone. Mandolin, fiddle, whistle and guitar play the opening, and when bodhran joins in at 0:31, you really get the feel for Irish traditional music - similar almost to Riverdance music. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A rough and determined, gritty crossover of Rock, Funk, Electro and Hip-Hop. Slamming funk drums, a biting guitar riff and occasional squelchy synth riffs come together in a sort of urban "big beat" funk-rock. Good for chase, metal & glass, destruction and fighting, car race / car chase, tough guys, rough sports and action, action-filled undercover operation, etc.
Be there when life is at its best - at a rock concert
Crispy breakbeats with stirring Electro fills and backing vocals. Fast, wild and convincing.
A somewhat celtic sounding folk dance tune, Reminescent of medieval ages / middle ages, perhaps a gathering at the local inn, or just the musical backdrop to a historical / fantasy world, Think "Ye Olde Barrel", old England, Ireland or Scotland, Could also be a Pirates' drinking song,
A very lively and exciting orchestral track, full of wonder, amazement and grandeur, Somewhat whimsical and playful, this cue is suitable for fun action scenes, circus and acrobats, amazing feats and mischief,
A Hot Club of France style jazzy piece where the first 30 seconds are in jazzy ballad style, and then the tempo picks up with acoustic riffing on the 8ths. Charming, warm and irresistable. The underscore and the shorter versions omit the ballad opening and go straight to the main part.
Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A charming, slowish Ska in minor key with a nosey trumpet lead line, slightly comic. There is also an underscore version without the trumpet, which is great as a background groove, has more of a reggae feel, and shows off the cool bass line.
A popular set of lively, spirited and vivacious polkas from 19th Century Ireland - heard in many Irish traditional music pub sessions - performed by whistle, guitar and fiddle. Egan's Polka leads into Maurice Manley's Polka at 0:49 - both are upbeat, driving and merry. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
friendly intro, mitivating groove, catchy flute melody in the middle and close to the end, slightly different drum groove at the end