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Doubtful 74/82

 


[< 74 of 82
431 tracks, not registered with a PRO
1603 tracks, registered with a PRO
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1828. Last Breaths 02:13

Sombre and guilty, this track is laden with remorse and sad emotions. Slow and subdued with a very spacious feel, this features modern synth sounds that combine and interact to create a very thoughtful and reflective soundtrack.


Last Breaths
1829. Magnetic Field 02:43

Light synth sounds bouncing off deeper bass tones and a busy but subtle drum beat allow this industrial track to have a hi-tech, futuristic feel. Piano melodies give a slightly mysterious atmosphere on a piece which could be used for crime and thrillers too.


Magnetic Field
1830. Manic Disposition 02:23

Weird and spooky, this upbeat track contains piano chords searching for a balanced and perfect world. A fast drum track beats out a chase-style rhythm which allows you to use this piece for a variety of mysterious settings.


Manic Disposition
1831. Psychic Powers 02:38

Investigating an unsolved crime is the general feeling created by this track perfect for thrillers. A simple piano motif provides a basis for strange bell-like tones and synth effects to produce a slightly eerie and spooky atmosphere.


Psychic Powers
1832. Night On The Range 02:15

Ambient Western track. Features a ghostly, haunting atmosphere that would compliment scenes where the characters are in a dark place, feeling sad, or just exploring the mysterious great outdoors. General background track for movie / film / adventure / fantasy / history etc. Atmospheric and with a sense of pensive curiosity.


Night On The Range

This warm and uplifting piece conveys a sense of community and peace. The track would work in scenes where people stand together or help one another, such as at a Sunday service or raising a barn.


Parish Hall (No Fiddle)

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


The Bard And His Bride (Flute Harp Piano)

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


The Bard And His Bride (Underscore Version)
1836. Showdown 02:28

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


Showdown

This cinematic orchestral track suggests scenes involving magical or dramatic settings, It has an expansive feel, and features a prominent melody, It could suit adventure, supernatural, outer space or nature themed productions,


The City In The Clouds (Underscore Version)

A cinematic orchestral piece inspired by scenes of natural beauty, Would work well for scenes that begin a story, or that evoke natural phenomena such as sunrises, mountain ranges, seascapes, and the like, Very dramatic with a strongly positive feel,


The Sea At Dawn (Underscore Version)
1839. The Sea At Dawn 03:17

A cinematic orchestral piece inspired by scenes of natural beauty, Would work well for scenes that begin a story, or that evoke natural phenomena such as sunrises, mountain ranges, seascapes, and the like, Very dramatic with a strongly positive feel,


The Sea At Dawn
431 tracks, not registered with a PRO
1603 tracks, registered with a PRO
[< 74 of 82