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Fit 276/322

 

2734 tracks, not registered with a PRO
5305 tracks, registered with a PRO
Waveform

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A bouncy, happy-go-lucky theme with a modern lo-fi feel. It skips and darts along with a touch of underlying melancholy, growing & expanding towards it’s inevitable conclusion. It’s unique quirkiness is similar in style to the Michael Stephen Decker tracks, Dubweed and Squeezer.


Lucky Boy (Underscore Version)

A cheerful whacked out melody that sounds like a retro gaming theme or a 1980’s synthesizer demo! Complete with bouncy drums & cheapo plastic instruments, this funny little ditty would suit cartoon graphics, micro games, commercials or quirky off beat comedy videos. Similar in style to the Michael Stephen Decker tracks Wackorama, Big Cheese & Sambatastico.


Wacko Town (Underscore Version)

An epic battle track with 8-bit elements, orchestra, electronic guitars and electronic drums. Perfect for rousing, heroic and dramatic scenes, dramatic trailers, and battle underscores. The 8-bit elements bring a sense of arcade but also uniquity.


Battle In 8-bit Space (Underscore Version)
6883. Magic From The 50s 01:04

A jazzy-upbeat and positive, big band orchestration in the style of a 50's movie or TV show. Perfect for this role, or as a positive underscore for an upbeat video. Plenty of harp flourishes, a catchy jazz melody, with potential for festive uses.


Magic From The 50s
6885. On The High Seas 00:49

A strong cinematic orchestral adventure theme with an epic and mainly positive feel. Has a distinct pirate adventure and swashbuckling style, and would accompany cinematic projects well. Led by a heroic brass melody with a lot of cinematic flair and orchestration. Also features a tribal element in the last passage.


On The High Seas

A kidz-oriented theme with a playful, cheeky and somewhat otherworldly quality. Works equally well with projects featuring playful and catchy elements, or extraterrestrial themes. Also performs excellently as a main theme for a kids themed mobile game or video.


Space Hopper (Underscore Version)

A funk-pop groove with a fantastically catchy bass-line that feels positive and uplifting yet fashionable and fresh. Featuring a real four-piece horn section break and fantastic production quality to give any video a lively edge.


The Funky One (Underscore Version)
6890. The Funky Two 03:21

A modern funk-pop groove that feels positive and uplifting yet fashionable and fresh. Led by a poppy and modern funky drum and bass combo and featuring funky guitar and horns. Great as an underscore. Complimented with a selection of stingers and seamless loops.


The Funky Two

A high energy pop-rock track with an immensely catchy chorus and a powerful driven guitar riff. Has attitude and groove while featuring slick production values. Available as a Vocal version and an Instrumental version. The instrumental makes this suitable for both underscore and foreground use.


The Race (Instrumental Version)

A high energy pop-rock track with an immensely catchy chorus and a powerful driven guitar riff. Has attitude and groove while featuring slick production values. Available as a Vocal version and an Instrumental version. The instrumental makes this suitable for both underscore and foreground use.


The Race (Vocal Version)

Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Blarney Pilgrim - Kesh (No Banjo)

Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Blarney Pilgrim - Kesh (No Bodhran No Banjo)

The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Chaffpool Post - Hills Of Tara (No Bodhran)

Opening with moving electronic sounds, and pounding drums, this is a powerful and cinematic track which creates a heroic and huge sound. An unusual mix of electronic and orchestral sounds which creates a dark and determined feeling.


Darkness Ahead (No Brass)
6899. Deception (No Drums) 02:14

A suspenseful and intense cue which creates an ominous, threatening and foreboding feeling. Distorted guitars, piano and electronic elements all come together to create a tense and apocalyptic sound.


Deception (No Drums)
6900. End Game (No Brass) 01:57

A fast paced action packed cue which creates a dark, cinematic and suspenseful mood. Threatening and pounding drums mixed with electronic elements along with booming brass, creating a huge cinematic sound.


End Game (No Brass)
2734 tracks, not registered with a PRO
5305 tracks, registered with a PRO