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The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
thoughtful, melancholic with mystic female vocals
Childrens music: Cool & Cheeky. A playful and friendly orchestral track, available with or without choirs. Happy and a bit whimsical. Melodic and sweet.
quirky, fun & groovy track inspired by the old 'bee' classic. has an air of energy & mischief to it until the chorus kicks in and it takes off into the skies like a retro theme to some American spy,cop,thriller series. Contains orchestral strings & brass, bass & drums
Very atmospheric and dreamy Japanese winter garden style with echoey acoustic guitars, koto and shamisen over sparse oriental percussion.
Imagine being a goldfish in a bowl and staring out at the big wide world. Acoustic guitar harmonics start this hypnotic track, a simple marimba melody enters, then different drums join in and strings enter in a ghostly fashion. The tune builds and entrances you as it marches on. Contains acoustic guitar, chromatic wooden percussion, strings and bass drum pulses.
A solid and determined rock track with a certain amount of grit but without straying into heavy metal. Mid-tempo rock with a rough edge, great for use with sports, high-tech, exciting footage and technology web sites, maybe powerful machinery or vehicles etc.
A traditional Irish double jig (Haste to the Wedding) which moves into slip Jig (Kitty Come Down to Limerick) at 1:00. Pounding bodhran drives both spirited jigs which are played by fiddle and mandolin. Popular jigs in Ireland, heard around the country, these are valiant, glorious and an ode to older times. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Hard, gritty, techno rock. Filtered and distorted bass guitar, processed drums and biting guitar riffs. Similar to Crystal Method or The Matrix etc. Full mix.
Percolating sequencial synths with warm pads/layers & textures, & distant shaman voices to make this dreamy, hypnotic, ambient electronic work. Good for space scenes or under ocean nature docs, sci-fi love stories and more.
Mid-tempo, rich and lush ambient electronica with a downtempo electronica beat and a deep bass groove. This is a pretty long track at over 8 minutes featuring varied parts throughout. Somewhat magical, floaty and 'otherworldly'. Could be good for ice caps, space flight, space imagery, underwater footage, flying / traveling, technology and science, visual presentations of many types.
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.