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Insidious 93/112

 

598 tracks, not registered with a PRO
2185 tracks, registered with a PRO
Waveform

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A dark, edgy and gritty, slow but aggressive Dubstep track. Mangled and distorted synthesizers stutter and pump, with a mechanical, robotic, relentless and hard edged beat. Atmospheric, unstable, nasty. Good for hardcore material including scifi, extreme sports, extreme motorsports, conflict and mayhem.


Darkest Day (Low Effect Filter Fade)
2304. Most Wanted 02:08

Drum and bass style track with a dub-step flavoured bassline. It starts off with a softer style bassline wobble until the first breakdown. A sharp acid synth is introduced in the breakdown and builds to the main drop. Growly acid synth shines in the second drop, and is surrounded by edgy drums and industrial noises. An alarm like sound trails off to the end of the track. This track goes well with car chases, car commercials, extreme sports, racing, fight scenes, chase scenes etc.


Most Wanted
2305. On The Edge 02:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually until it bursts into a hard edged, gritty Dubstep beat. Good for action trailers, extreme sports, battle / warfare and more. Tech/Mech feel.


On The Edge

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (No Drums Version)
2307. Rise Of The Machine 02:35

Emotional strings set the mood for this track. Big hits sound distant yet powerful. The main drop happens at about 1 minute into the track, with bit-crushed, mechanical sounding drums. Violent, dramatic, epic, futuristic. For epic trailers, sci-fi, scenes of rising armies. Also for sports / achievement / grit.


Rise Of The Machine
2308. Trailer Madness 01:23

Edgy, distorted, mechanical sounding, with huge drums and bit-crushed, acidic synths. Very dark. Doom laden, with pounding percussion and a relentless, aggressive feel. Orchestral sounds mangled and combined with edgy synth work.


Trailer Madness

Gaming or adventure music with a relentless marching thrust that includes smouldering interludes shot through with flurries of eastern flutes. There is also a Contemporary Mix which adds Urban style drums for a hip-hop soundtrack feel.


Advancing Forces (Contemporary Mix)

These short incidental bursts of busy pizzicato string sequences will sit comfortably under narrative or as an accompaniment to bustling imagery. The short bursts are punctuated with silences making them easy to edit into any duration.


Cat And Mouse (Underscore Version)

Like the awakening of an idea or the start of a great adventure, this bold orchestral piece grows from small beginnings to a huge striving precession that reaches a frantic conclusion at 1:00 returning to its original idea and finally to rest. Suitable for rites of passage sequences or the birth of ideas and on-going initiative.


Here's The Plan (Underscore Version)

Bright & uplifting, this jaunty caper pays homage to the golden age of comedy film scores with its memorable hooks & bouncy, frolicking orchestration. A fun motif for radio & TV ads, cartoons, short films & games. Similar in style & sentiment to Michael Stephen Decker’ ‘Hotel Tango’, ‘Another Lovely Day’ and ‘A Midnight Symphony’.


Showtime (Underscore Version)

Huge drum n' bass percussion collides with orchestral breaks and extreme FX stabs. Evoking visions of speed, excellence and hybrid technology. Well matched with the Michael Stephen Decker track 'Metallic Wasteland'.


Speed Of Night (Underscore Version)
598 tracks, not registered with a PRO
2185 tracks, registered with a PRO