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A positive, happy and bright Dance / Electro track. Combination of retro- and new synth sounds, with catchy melodies and a sparkly production. Feelgood dance / youth material.
Electro house track with a great quality bass drop. Building vocal that repeats “music please” asking for a massive melodic breakdown. (Also available without the vocal). Stabby square pluck with an underlining low arpegio brings a hands up moment only to drop back into a dirty and gritty bassline. Resembles top EDM producers. Great for club scenes, DJ scenes or any action filled sequence that calls for a high quality electronic beat.
Euphoric, uplifting, modern pop track. Big, driving drums, anthemic synth hooks and lots of energy. Great for games / sports and commercials.
Cool, electronic pop track with a retro feel. Reflective / emotional / happy mood, with a driving beat and uplifting synth hooks. Good for film / tv, games and commercials, and more.
An understated and groovy track with subtle funk influences. A little bit rough and tough, but in a restrained and classy way. Good for product presentation, catwalk / fashion, style and luxury, etc.
A chilled, driving, electronic pop track. Warm, analogue synth bass over retro electronic drums, with cosmic synths. Great for those chilled, happy moments.
Dramatic combination of cinematic orchestral sounds with metallic, destructive, methodical and violent percussion. Apocalyptic / Harsh / Doom laden.
Edgy, distorted, mechanical sounding, with huge drums and bit-crushed, acidic synths. Very dark. Doom laden, with pounding percussion and a relentless, aggressive feel. Orchestral sounds mangled and combined with edgy synth work.
Modern, atmospheric electronica suggesting optimism, discovery and inspiration. Evoking feelings of aspiration and security and a sense of wonderment with mysterious depths. A brighter tomorrow for Ecology, travel, science & technology and the Natural World. Similar in style and instrumentation to other Michael Stephen Decker tracks such as Three Little Wishes, Speed Of Night, The Hands Of Time and Sky Dreams.
Exciting, edgy and modern. A relentless vision of futurism packed with lo-fi guitar and warped drum layers. The track builds towards an eerie, distant riff that charges full tilt towards a glitchy, fidgety ending. Visceral and oddly compelling.
A big bass drum, tuba, accordian & piano set out the 3-4 rhythm for a memorable melody line in this jaunty bohemian waltzer. Burlesque, boisterous and gloriously chubby. If you like this you may also like the Michael Stephen Decker tracks 'An Unfortunate Incident' and 'Carnaval De Paris'.
Building from a deep, visceral bassline & solid driving rhythm into a kalidascope of colourful swooping layers, this long, rolling, almost hypnotic workout is the perfect accompaniment for freedom, movement & discovery tinged with mystery & excitement. At nearly 5 minutes in length, it can be used as a continuous theme with or without accompanying narration. Approximately 4 minutes in, the driving rhythms fade out & you’re left with a pleasant, ambient wash that will mix seamlessly into the track ‘Free Ride Sunset’.
Bollywood meets the Carribean with this authentically kitch 1960's reggae vibe featuring a catchy Indian sitar line.
This amusing & magical leitmotif features lively pizzicato cellos as they tip toe towards a marching Mariachi trumpet line that vanishes into thin air, only to be replaced again by the creeping, mischievous cellos. Hotel Tango is matched in style & character to the other Elliot Simon’s tracks, Another Working Day, The Secret Path, A Midnight Symphony and An Unfortunate Incident.
Introspective, cold & haunting Piano led aria.
Authentic sounding medieval instruments play a bawdy, brazen celtic dance number for the Tudor court. The track varies in tempo, with some uptempo parts and others slow.
Patriotic, uplifting & energetic classical rhythmic theme with horns, strings and pounding percussion. Includes piccolo interludes that build up to a glorious main theme.
With a bright & jaunty skip in the step, this mischievous romp pays homage to the golden age of whacky comedy film scores while still remaining ironic & contemporary sounding. The memorable hookline makes it a fun motif for radio & TV ads, cartoons, short films & games. Similar in style & sentiment to Michael Stephen Decker’ ‘An Unfortunate Incident’, ‘Another Working Day’ and ‘A Midnight Symphony’.
Cut to the core, seriously funky dancefloor stomper.