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5303 tracks, not registered with a PRO
12776 tracks, registered with a PRO
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4103. antimatter 03:06

A track with an unusual atmosphere. Starts with a very dramatic string section, full of suspense and the chorus part brings a nice chill out dance beat, a synth bass line and distant choirs. Quite unique. Could be useful in a tv car advert or something similar.


antimatter
4107. cyberflea 05:21

Funky clavinet style synth starts this shuffley groover of a track. Non-stop bounce and energy from start to finish. The mid section brings a slight breakdown as eternal voices and synth pads fade in and out. The huge groove returns as wah wah lead guitar brings the tune to it's big bouncey end.


cyberflea
4109. Fall 03:00

Sad, emotive strings fill this track. Soft electric piano chords play over the top as the tune builds then drops down in intensity only to rise up once more. Would suit romantic or tragic film project.


Fall
4111. Gravity 04:35

A very slow, soft and soothing piece. ethereal spacey synth notes first, then simple piano melodies overlay them. Has a slightly melancholy vibe to it and a feeling of looking into the distant hazy future, into the unknown. The 2nd chorus part brings drums and bass in and eventually some clean lead guitar as the tracks grows in size and intensity. Contains synth, piano, bass and drums. Would suit moody/surreal or romantic comedy project.


Gravity
4113. I'm watching you 02:48

Ever felt that you were being watched by someone?.... Your every move being monitored from afar. A Sinister, fevered, twisted and unnerving piece. Contains violins, cellos, xylophones, string plucks and some quite twisted melodies that slowly unfold, creating lots of tension.


I'm watching you

Intense brooding dark malevolant energy is what this track's all about. Uncertainty on the edge of a new exciting but dangerous journey. Great momentum from synth sequences and drums powers the track. Think early Nine Inch Nails meets Massive Attack. Contains synths bass and sequences, drum units and distorted synth lines.


Into the valley of shadow
4115. Lucidity 03:32

Imagine floating on clouds high above the earth. Starts with a soft synth pad and slowly grows into a very beautiful mood. Slightly unsettling and yet soothing, too. Contains synths, drum kit, choirs, string section.


Lucidity
4116. Medusa 04:48

Imagine walking through the ruins of a haunted castle at night, never knowing what night be round the next cobweb covered corner. A very black and sinister piece. Slow with a building tension. Contains synths, drum kit, guitars and bass.


Medusa
4117. Opium dream 06:18

Highly dramatic and filmic. Ethnic string instruments and rhythms combine with simple piano and strings. Very hypnotic and mysterious. One monster psychedelic trip, it goes through many changes. Contains santoor, sitar, strings, shenai oboe, drums, bass and vocal samples.


Opium dream
4118. Outlaw 03:03

No messing rock blaster. A cross between Queens of the Stone Age & Foo Fighters...with just a little Journey and Thin Lizzy thrown in just to see what happens. Plenty of dirty guitar riffs and lead licks. Would suit action/thriller type film or extreme sports/motor racing project.


Outlaw
4119. Quark 04:49

Like Black Sabbath jamming with the Chemical Brothers and inviting Korn to join in. Hypnotic trashy beats, spacey synth leads and weaving bendy bass lines meld with huge blunt guitars. In the end section, things get quite out of hand as the Tsunami of guitars swamp the Electronica and pummeling ensues until the monster takes it's last breath.


Quark
4120. Rampage 05:25

Pure rock drama! Waves of guitars and drums come crashing in on the intro synth sequence...intensity builds through the verse until the chorus attacks with full on guitars and staccato strings. The last chorus has 2 searing lead guitar solos to up the heat just one more notch. Contains guitars, bass, strings, synth and drums.


Rampage
4121. Sentinel 03:58

Electronic dance track with an eastern flavour. Synth sequences and syncopated beats combine with shenai oboe and strings to make a piece that has constant impetus and also fresh new colours and textures entering as it progresses.


Sentinel
4123. Slam 05:04

A truly driven piece of adrenaline rock. Guitars and riffs everywhere backed by monster bass and drums. lead guitar takes the place of vocal melodies, soaring high into the stratosphere until the final lead solo bursts into flames. Foo Fighters meets Satriani.


Slam
4124. Spectre 03:24

A twisted and dark piece. Strange electronic murmurs and blips introduce a dramatic tremelo-ed string section. As the track progresses more layers of string harmonies enter adding to the growing suspense. Slowly the piece unfolds and builds towards the tense end. The mood has an element of cold calculated ruthlessness and unfolding mystery. Contains orchestra, synths and piano.


Spectre
4125. The Descent 02:45

A very sad and yet relaxing tune. Strings wash over you in a mood full of loss and lament. Above the strings a piano tells it's story in a simple and melancholic melody. In the chorus the string section swells up and overflows like an inevitable tide of sorrow. The ending brings in the elements of the orchestra almost one by one until the final call. Would suit a tragic drama or romantic film project. Contains strings and piano.


The Descent
5303 tracks, not registered with a PRO
12776 tracks, registered with a PRO