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Gritty and funky hip-hop. Fat, slamming beats. Mangled sound, a little bit on the edge. Scratching and synth bass.
A fast, fun and bouncy country hoedown featuring dobros. Just dobro and drums first time through -- then drums, bass and rhythm guitars join in. Hee-haw!
A melancholic and somewhat enchanting piano led ambient track backed up by strings, glockenspiel and synths. A simple piano phrase is gradually added to and developed into a sensitive and rich sounding piece of music. Fantasy, Wonder, Magical, Storytelling.
This is pretty much as 'in your face' as we're ever going to get. This is a fast, brutal, ruthless and relentless blazing inferno of destructive mayhem hard rock track. Great for raw footage, destruction and war, burning and slashing, extreme sports etc.
Stacc Brass with uplifting string chords, very rhythmic. Moody middle part - heartful choir in the end with a lot of hits - good for trailers.
A haunting and mysterious latin bolero with piano, vibes, bass, guitar and percussion.
A soft rock motivational tune with a gospel flavor featuring piano, electric piano, bass, guitar and drums.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Piano music. A Philip Glass inspired track - dramatic and passionate, yet reflective and romantic. Perhaps depicting wwo lovers longing for each others powerful embrace, this piano duet deals with sorrow, hope, emotion, nostalgia and past events. Good film score / drama underscore for personal stories, real people and emotions.
This is a driving and purposeful alternative rock with a sense of hope and direction made with multiple guitars, keys, bass and drums.