All rights reserved. No usage without prior licensing. Please be fair. Thank you!
Relaxed, ambient piano track with occasional acoustic guitar notes and soft pads. Melancholic, tender, impressionistic, inviting. A time for quiet reflection. Semi-classical.
Powerful rock instrumental with elements of Led Zeppelin and Jimmy Hendrix
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A warm, positive and melodic fantasy/celtic inspired track. Have a little patience with this one -- the atmospheric intro section lasts for about 1 minute before the tempo picks up to an upbeat celtic jam with piccolo flute, guitars, hand drums, etc. Full mix.
A warm-blooded, sensual Mexican ballad with spanish guitars and accordeon.
Modern and edgy rock track. Strong and confident sound with crunchy guitars and raw sounding drums. Heavy but not over-powering, strong but not dominant. Great for projects looking for a modern sound.
The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A popular set of lively, spirited and vivacious polkas from 19th Century Ireland - heard in many Irish traditional music pub sessions - performed by whistle, guitar and fiddle. Egan's Polka leads into Maurice Manley's Polka at 0:49 - both are upbeat, driving and merry. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Slow, driving beat, atmospheric ambient electronic new age piece with an ethnic flair. Heavy bass synth and drums with mysterious, lush pads/layers, Native American Lakota flute melodies, distant shamanic vocals. Good 4 nature scenes & spacious visuals, & many things mysterious & tribal.