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A modern pop, rock crossover track combining guitars, piano and synths, this track has a warm, friendly and universal appeal to it. Not to hard, not too soft, this blend is just right for those looking for something that has a little edge but doesn't take over too much.
A warm, positive and melodic fantasy/celtic inspired track. Have a little patience with this one -- the atmospheric intro section lasts for about 1 minute before the tempo picks up to an upbeat celtic jam with piccolo flute, guitars, hand drums, etc. Full mix.
A traditional Irish double jig (Haste to the Wedding) which moves into slip Jig (Kitty Come Down to Limerick) at 1:00. Pounding bodhran drives both spirited jigs which are played by fiddle and mandolin. Popular jigs in Ireland, heard around the country, these are valiant, glorious and an ode to older times. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A very warm and appealing track. Hard to pin down, with elements of ambient, pop, new-age and urban. Repeating patterns of guitar and electric piano create a dreamlike, textured sonic image. Great for use with visual media, carries a lot of emotion and reflection. A sort of kaleidoscope of sound and music. Thoughtful, unique and interesting. This track is available in many different versions, with or without the high guitar notes, and with or without the drums.
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A quirky and nostalgic, orchestral 1940's / 1950's pastiche with more than a hint of cheese. Perfect for ironic and comical underscores or vintage purposes.
A popular set of lively, spirited and vivacious polkas from 19th Century Ireland - heard in many Irish traditional music pub sessions - performed by whistle, guitar and fiddle. Egan's Polka leads into Maurice Manley's Polka at 0:49 - both are upbeat, driving and merry. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Emotional track in the style of Russian folk music.
Slow, driving beat, atmospheric ambient electronic new age piece with an ethnic flair. Heavy bass synth and drums with mysterious, lush pads/layers, Native American Lakota flute melodies, distant shamanic vocals. Good 4 nature scenes & spacious visuals, & many things mysterious & tribal.