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The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
An American Christmas Dream, joyful symphonic jumble.
Relaxed, ambient piano track with occasional acoustic guitar notes and soft pads. Melancholic, tender, impressionistic, inviting. A time for quiet reflection. Semi-classical; reminescent of the works of Erik Satie and Brian Eno. Available is also an alternative version which cuts out the pads, leaving only the piano and guitar.
Gymnopedie No.2 has an aura of sombreness about it. 'Lent et triste', (slow and sad), is the instruction to the player. Very atmospheric with a feeling of calm resignation. Huge amounts of space in the composition for thoughtful reflection.
Strolling, Wandering, Percolating
Sinti Jazz with a good-mood guarantee
A soft, ethereal and dreamy ambient track featuring swirling pad textures and Indian Sarangi guitar. Atmospheric, evocative and ethereal. Great for travel, adventure, reflection and world discovery.
Mid-tempo, rich and lush ambient electronica with a downtempo electronica beat and a deep bass groove. This is a pretty long track at over 8 minutes featuring varied parts throughout. Somewhat magical, floaty and 'otherworldly'. Could be good for ice caps, space flight, space imagery, underwater footage, flying / traveling, technology and science, visual presentations of many types.
Fun and exploratory Christmas tune for orchestra.
Beautiful melodies glide with effortless grace at the start of this famous Chopin piano solo. It becomes more intense before a soft ending. Used in many productions such as the James Bond film 'The Spy Who Loved Me'.
A mid-tempo, easy going, breezy chill-out track with a slightly spanish, latin feel. Excellent as background music for any media. Blues inspired guitar solo at about 1:30. There is also an alternative version with more, busier guitar melodies throughout.
The minor key of this waltz gives the piece a melancholic, almost sad feel. The soloist plays at a medium tempo without straying too far from the initial melody, then a more optimistic section lifts the gloom before it returns to melancholy to finish.
The first of Liszt's Liebestraums, (Dreams of love), is a delicate and tender piece. Always light and very spacious it sets the tone for the three works as a whole. Wonderful for romantic segments, weddings and nostalgic memories.
A Christmas classic played by a music box. Perfect background music for greeting cards or Christmas spots. Elegant and reflective at the same time.