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Deep-trance with guitar stabs, squelching analogue synths, a pumping bass groove and some psychedelic patterns breaking it up with elements of goatrance. Organic sound. Big lush production.
Back in the Big Time: Breezy and suave. Horns, wah-wah guitar, hip-hop jazz drums and a groovy bass line to boot. Swing beat. Streetwise and very feel-good. Scat vocal on the chorus.
A piece with both Middle-Eastern and Native American influences. Choir gives a sense of awe and mystery, broken by tribal drums and fluttering woodwinds.
Sparse, dark ambient track, like a derelict factory or underground parking house where danger lurks. Sneaky, slightly metallic feel. Useful for horror or thriller material.