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A solid and determined rock track with a certain amount of grit but without straying into heavy metal. Mid-tempo rock with a rough edge, great for use with sports, high-tech, exciting footage and technology web sites, maybe powerful machinery or vehicles etc.
Retro, 8 bit vintage chip tune track in a Mario old school style. Funny, uplifting, arcade like. Fits flash video game, application for children, video or website that needs positive, happy mood.
A grand and epic track that depicts a fantasy world or an amazing story of wonderment, perhaps magic. Starts off carefully and grows to a crescendo, climax towards the end.
Upbeat, lively and playful Irish traditional tune. Driving acoustic guitar accompanies fast paced fiddle in a toe tapping popular Irish reel. Heard a lot in pub sessions, this is a real attention catcher of a tune guaranteed to get you up out of your chair. 100% live performance.
Cinematic Western orchestral music, grandiose and full of the pioneering spirit with an authentic vintage old-west sound and feel. Performed live and ideal for old-west movies, travel vignettes, historical dramas or any frontier themed media project.
Bustling, Successful, Vibrant
Very atmospheric and dreamy Japanese winter garden style with echoey acoustic guitars, koto and shamisen over sparse oriental percussion.
Background music track with a nerve, a certain element of mystery and a sense of passing time. Highly suitable for game shows, trivia or quiz games, puzzle games, problem solving etc. Keeps a fairly low key, so it doesn't get to intrusive or stressful, even after repeated plays.
A popular set of lively, spirited and vivacious polkas from 19th Century Ireland - heard in many Irish traditional music pub sessions - performed by whistle, guitar and fiddle. Egan's Polka leads into Maurice Manley's Polka at 0:49 - both are upbeat, driving and merry. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.