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A popular set of lively, spirited and vivacious polkas from 19th Century Ireland - heard in many Irish traditional music pub sessions - performed by whistle, guitar and fiddle. Egan's Polka leads into Maurice Manley's Polka at 0:49 - both are upbeat, driving and merry. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Upbeat Latin pop with the proper live feel, something positive for rainy afternoons
A frenetic and bluesy latin/pop tune with piano, guitar, steeldrum, vibes, bass, drums and percussion.
Percolating sequencial synths with warm pads/layers & textures, & distant shaman voices to make this dreamy, hypnotic, ambient electronic work. Good for space scenes or under ocean nature docs, sci-fi love stories and more.
thoughtful, melancholic with mystic female vocals
friendly intro, mitivating groove, catchy flute melody in the middle and close to the end, slightly different drum groove at the end
Flowing, Latin Feel
Relaxed, ambient piano track with occasional acoustic guitar notes and soft pads. Melancholic, tender, impressionistic, inviting. A time for quiet reflection. Semi-classical.
quirky, fun & groovy track inspired by the old 'bee' classic. has an air of energy & mischief to it until the chorus kicks in and it takes off into the skies like a retro theme to some American spy,cop,thriller series. Contains orchestral strings & brass, bass & drums
The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.