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Film Music 1/285
Film Music
Typical of film music is that music a) creates a functional and substantial reinforcement of the pictures, or b) assumes an emotional lead role. In contrast to a book, where it is possible for the author to prepare scenes, emotions, moods, etc. throughout several pages, the film director often has only a few minutes for this. Film music helps, therefore, to support the plots development at the mood and emotional levels. Here, the style or arrangement play less of a role.
1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO
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The second Gnossienne has the instruction, 'avec ?tonnement', (with astonishment), to instruct the player to play slightly faster than the other two pieces. Still has lots of space and freedom of expression.
Dark and sombre piece based on strings and piano. Very cinematic piece suitable for any dark, ominous drama or fiction.
Cinematic and epic music for trailer, television and theaters. A full orchestra, a huge drum ensemble and a fat rock-band are the elements of this typical Hollywood sound. Motivated and thrilling !! Also you got an alternate version without the huge drums for talk-over purposes.
Little funny fantasy music with pizzicato strings, glockenspiel, clarinet, harp and percussion
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
An emotional mafia tune, featuring, mandolin, accordion, classical guitar and piano. Sad and heartfelt.
An emotional Italian love song in the style of “the godfather”. Featuring solo violin, mandolin, piano and orchestra.
A romantic Italian love tune featuring solo violin, mandolin and guitar. Sad, reflective and fragile.
An upbeat yet longing tango with an Italian feel. Featuring accordion, mandolin, solo violin and rhythm section.
A driving action cue with an Italian flavor that builds in intensity. Featuring solo violin, accordion and orchestra.
A dark and sad processional with an Italian undertone. Featuring solo violin, mandolin and orchestra. For a funeral or the loss of a loved one.
An intimate Italian love song featuring solo violin, mandolin, pizzicato bass and strings. For a yearning lover or a lost love.
Solo piano arpeggios with beautiful harmonies. Slightly melancholic but hopeful and inspiring.
A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.
Medieval instruments play this melancholic piece of music together with a string quartett.
1898 tracks, not registered with a PRO
5221 tracks, registered with a PRO