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Full orchestra, exciting and epic in the style of “Lord of the Rings”.
A classical ""Tom and Jerry"" background music. Little mouse trick of the big cat, audio comics
Friendly, wholesome and uplifting, feelgood acoustic pop, rock. Acoustic guitars, piano and a fast but easy-going drum groove. Friendships, family, good times, precious moments spent with loved ones, fun and holidays, etc. A very spirited, heartwarming, positive, bright and warm soft-rock track.
Powerful, primitive, focussed, intense, determined, brutally heavy rock track with an industrial feel. Epic, glorious, passionate, dynamic, dirty & dangerous, with some arabian flavours. Crushingly suited to action / extreme sports / combat / military type projects.
Building, Progressive, Confident
A lone piano line signals the entrance of monster grungey guitar riffs, bludgeoning you mercilessly from the outset. Queen-esque lead lines join in before the chorus blazes into life with powerful and emotive strings overlaying the gargantuan guitars. A powerful and intense brew.
A military march for Snares, Field Drums and Bass Drums. The army is marching to war. Good for a civil war scene.
A dark and ominous piece with heavy use of the Taiko drum and japanese, chinese Gong. No melody, all percussion. Martial Arts, Japanese triads, dark, foreboding, military, historical, impending battle. Chase scene, etc.
Suspenseful, dramatic, ethereal, epic, spacious, moody, atmospheric cinematic rock track that gradually builds in intensity. Starts with dhol drums & various synths join in as it goes. Exciting, tense, thrilling, rhythmically hypnotic & climactic. Would suit action / thriller / sports / combat / crime type projects.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.