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A lone piano line signals the entrance of monster grungey guitar riffs, bludgeoning you mercilessly from the outset. Queen-esque lead lines join in before the chorus blazes into life with powerful and emotive strings overlaying the gargantuan guitars. A powerful and intense brew.
Powerful, primitive, focussed, intense, determined, brutally heavy rock track with an industrial feel. Epic, glorious, passionate, dynamic, dirty & dangerous, with some arabian flavours. Crushingly suited to action / extreme sports / combat / military type projects.
Shimmering with electro synths and a cold winter feel, Ice is the perfect music to accompany winter sports spots. Energetic and fast paced.
Suspenseful, dramatic, ethereal, epic, spacious, moody, atmospheric cinematic rock track that gradually builds in intensity. Starts with dhol drums & various synths join in as it goes. Exciting, tense, thrilling, rhythmically hypnotic & climactic. Would suit action / thriller / sports / combat / crime type projects.
Funny jazz track with playful alto saxophone and clean e-guitar. The piece is swifty and humorous and has an ironical middle part. Perfect as a kids show intro, for a funny commercial or a sympathic explanation video.
A dark and ominous piece with heavy use of the Taiko drum and japanese, chinese Gong. No melody, all percussion. Martial Arts, Japanese triads, dark, foreboding, military, historical, impending battle. Chase scene, etc.
Africana pop. Bouncy African style with jangly guitars, percussion and horn stabs.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.
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