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Mendelssohn "Song Without Words" Opus 19 No. 1. Michael Stephen Peterson’s arrangement of Mendelssohn’s piano opus gives the piece a beautifully distant and haunting quality.
A melodic operatic soprano swoops and glides over reflective orchestration in this enlightening & heart felt aria. Evoking the reminiscence of sad and moving tragedy or the wonderment of spiritual beauty. The piece builds from a single voice into a choir of angelic beauty for a climactic ending. Matched in style and character to the Michael Stephen Decker track, Celtic Requiem.
Evoking memories of past loves and a sense of "life's long journey", this fairytale flute aria has a crisp melancholic melody that dances through a bed of glistening glokenspiel & rich, lavish strings. An alternative 'heartbeat' version offers a subtle 120 bpm pulsing rhythm.
Evoking memories of past loves and a sense of "life's long journey", this fairytale flute aria has a crisp melancholic melody that dances through a bed of glistening glokenspiel & rich, lavish strings. An alternative 'heartbeat' version offers a subtle 120 bpm pulsing rhythm.
Tender and emotional, touching latin ballad with a soft pop production. Delicately performed and produced. Available with or without the vocal ooh's, and also as an underscore version ('Underscore' means without any solo, lead instruments).
A tender, nostalgic and wistful piano solo track. Perhaps dearly held memories, endless love or personal reflection. Beautiful and melodic, but also melancholic.
A secretive and haunting latin pop tune with electric piano, acoustic bass, acoustic guitar, piano, vibes and percussion.
The classic as a contemplative underscore track for in-house karaoke or a preacherman`s background.
A romantic, contemporary pop ballad. Led by acoustic guitars, this track is sentimental, but in a subtle and tasteful way. Love and friendships, precious memories, best friends.
Gentle acoustic ballad, with dobro lead. Homely, reflective and wistful.