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At that time the clarinet was in a completely different guise than today's, which was only reached in the middle of the 19th century. Nevertheless, Mozart was able to make optimal use of this instrument by drawing original and expressive sounds. The concerto is regarded as one of his best works and is of fundamental importance for clarinet lovers and clarinetists. It was originally composed for Bassettos Horn, an instrument close to Mozart's heart, which he almost always included in his chamber music works and in any case as a soloist: Of the first version, only a well-developed fragment of the only first movement has survived, along with some very incomplete sketches of the second and top movements. The accompanying ensemble is chamber music: oboes, trumpets and trombones are excluded whose timbre could have competed with that of the solo instrument[1]. The clarinet expresses itself with melodies that are sometimes soft, sometimes dramatic, but the tone is always calm. Of the three movements that make up the concerto, the proverb is that in which the melody touches the highest peaks and reaches moments of intimacy and moving melancholy.
Pulsating electro basses, floating pads, groovy beats. Relaxing, descent in the background, but at the same time enervating. Perfect Underscore for technical and scientific 3D animations, product presentations and visualizations of innovative products.
Essentially a sinister dance track with a big twist....an explosion of a chorus part. Dynamically volatile with smooth slick yet forboding synth pads and sequences. The mid section drops down into a kind of drum machine/ tabla fueled trance state before a lone synth lead line fanfares the blast of the last chorus Imagine early Nine Inch Nails recording with a European techno outfit.
A modern pop, rock crossover track combining guitars, piano and synths, this track has a warm, friendly and universal appeal to it. Not to hard, not too soft, this blend is just right for those looking for something that has a little edge but doesn't take over too much.