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Elanvoll 233/277

 

1962 Gemafreie Musiktitel
4939 (GEMA-Repertoire)
Waveform

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A lively, dramatic orchestral cue of amazement, magic and drama, Available with or without choir, this track starts off with mysterious whispering, like magic is brewing or something incredible is about to happen, The track soon grows into a sweeping, awe inspiring orchestral romp,


Witchs Insidious Incantation (No Choir)

A lively and grand orchestral Pirate track! Menacing and glorious, excited and rousing, with fast snare drums, full orchestra and choir (also available without the choir), and a strong theme in the vein of Pirates of the Caribbean, this track will go well with Fantasy, Mischief, Pirates on the open sea, Swashbuckling fight scenes and more,


Yo Ho, Hoist The Colours High (No Choir)

Featuring tight punchy rock drums, memorable rhythms and melodies, this track will bring positive vibes to any project, The vintage sounding drums and guitars add to the overall vibe making it extremely like-able, With hand claps and stick smacks, Quirky and fun,


Slam The Door (Underscore Version)

This tracks blends vintage rock / classic rock sounds with modern styles of playing, similar to the way ‘The Black Keys’ do, The massive drum sounds and screaming lead guitars bring energy to the piece making it perfect for men's shows, masculine type presentations, Big boys with big toys, Lots of attitude,


The Wolves Are Howlin (Underscore Version)

A lively and grand orchestral Pirate track! Menacing and glorious, excited and rousing, with fast snare drums, full orchestra and choir (also available without the choir), and a strong theme in the vein of Pirates of the Caribbean, this track will go well with Fantasy, Mischief, Pirates on the open sea, Swashbuckling fight scenes and more,


Yo Ho, Hoist The Colours High

This contemporary track is full of catchy rock drive, From the upbeat, filtered intro to the machine gun like Rock ending, Good for energetic, violent and powerful media projects, Elements of Brit rock / Alternative rock / Indie Rock / Pulp and Punk-Rock,


No Time To Waste (Underscore Version)

A nasty, hard biting, gritty and grinding, post-modern, industrial rock track with a sickly and funky, dominant and hot headed guitar riff, Good for sports, motor sports / racing, action or chase, brawls and fights, as well as for ugly, nasty, futuristic, mechanical / transformers / attacking mechanoids, Think big engines, metal against metal,


Rolling Thunder (Underscore Version)

Very hard to categorize this track; it's a mystical, electronic, dark-dub influenced underscore / background groove, A sense of underlying movement, mystery and atmosphere, Good for crime drama, forensics / investigation, underscores for urban and technology based content, Has a sense of something uneasy, something intangible,


The Woods Are Alive (Underscore Version)

Rough and gritty electronica combined with a heavy metal guitar riff, Downtempo, processed rock style drums and glitchy synths & samplers combine to create a funky and rough electro-rock track with a big, massive sound, The dissonant piano patterns give the track a somewhat trippy / psychedelic feel, For a more straight feel, the Underscore version is also available, without the trippy piano,


Tough Guy (Underscore Version)

Breakbeat / Drum'n Bass, Dense, thick and a little bit dreamy / trippy, Excited / Energetic, Trippy / Floating / Intense / Busy, Good for X-Sports / X-Games, extreme sports, action and adventure, and more,


Trance DNB (Underscore Version)

A cutting edge mash-up of Funk, Drum'n Bass, Tech-Step and Breakbeat, Good as an action theme, or a theme for Crime / Spy / Secret Agent, Up-tempo beats with funky bass and guitar with more swirley, trippy synth pads, give the track an Edgy feel, Also good for sports, X-sports, mechanicals / motorsports and more,


Undercover (Underscore Version)

A hard biting, industrial rock/metal track with chunky, aggressive guitar riffs, slamming drums and alarming synth arrangements, The track changes from half-time to double-time, giving it both a 'very slow' and 'fast' feel, Very heavy, aggressive, dominant,


Dub Metal (Underscore Version)

A pumping, sizzling and throbbing Electro-funk track, Weaving and pulsating rhythm, dark and funky, Somewhat mechanical / robotic, Blending elements of House, Disco, Dub, Funk and Electro, Lots of attitude, almost cocky,


Electric Cute (Underscore Version)

Very hard core, industrial, violent, meltdown cyber rock, Hard biting, aggressive guitar riffs with slamming drums in a post-industrialist, gritty, hard slamming drums, Nuclear stuff, Not for the faint hearted,


Funky Rock Chase (Underscore Version)

Determined, gritty and funky, hard biting guitar riffs with rock drums and more industrial / mechanical synth & guitar elements, Heavily processed, chunky and mangled guitar chops with nasty synths, Good for action, bad-asses, hardcore / fight / combat, muscle cars, mean machines and much more,


Industrialism (Underscore Version)

A fierce, almost ugly, electro / hardcore / metal rock crossover track, Very dark, with mangled and twisted sounds of rock and electro mayhem, Destructive, post apocalyptic, Harsh, unfriendly and chaotic, Not for the faint hearted,


Into Hell (Underscore Version)
5824. Arp-us Dei (No Choir) 03:04

A driving and pretty intense electro-tech track with stabbing,staccato, stuttering synth patterns and a subtle, but rough techno groove, Available with or without an eerie, heavenly "Agnus Dei" choir part, This track has a pretty unique style and sound which can make your production really stand out,


Arp-us Dei (No Choir)
1962 Gemafreie Musiktitel
4939 (GEMA-Repertoire)