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Eine melodischer Country-Track. Ausgezeichnetes Wohlfühl-Material, ideal für Tages-TV, Angeln, Natur, Hobby, Männer, Motoren und Freizeit.
Ruhige, angenehme und positive Filmmusik mit sanftem Piano, Harfe, Violinen, Cello, Kontrabass, Piccolo Flöte und Klarinette, leichte, unaufdringliche Hintergrundmusik für Themen wie Frühling und Frieden.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Godfather inspired haunting melody evoking a sad and nostalgic, poignant mood. Played on trumpet accompanied by acoustic guitar in waltz time with accordion interweaving a counter-melody. Perfect fit for Italo-American themed productions and more.
der Gute-Laune-Trailer fürs Frühstücksfernsehen
Mysterious, yet playful, this track is relaxed, fun and intriguing. Creates a somewhat contemplative mood, but has enough energy throughout to keep it upbeat and mischievous.
lässiger Funk-Moove mit Sax und gehaltvollem Beat
Melodischer Elektro-Rock mit Elementen aus Science Fiction, Progressive Rock und Ambient Elektro. Leadgitarren, epische Pads, analoge Synthie-Sequenzen. Neben vielen anderen Elementen gibt ein langes und fließendes Intro, und ein Gitarren-Solo das an Alan Holdsworth oder Alex Lifeson (Rush) errinnert. Ein außergewöhnlicher Track, schwer zu beschreiben, aber als eine Rock beeinflußte Tangerine Dream Nummer oder ein härterer Vangelis? Wir empfehlen diesen Track in seiner gesamten Länge anzuhören.
Short Japanese inspired track with ethnic instruments and a flavor of the east. Brimming with ethnic sounds such as Koto, Tambra and shakuhachi. The track builds into a nice warm resolution.
A melancholic and somewhat enchanting piano led ambient track backed up by strings, glockenspiel and synths. A simple piano phrase is gradually added to and developed into a sensitive and rich sounding piece of music. Fantasy, Wonder, Magical, Storytelling.
A fast, fun and bouncy country hoedown featuring dobros. Just dobro and drums first time through -- then drums, bass and rhythm guitars join in. Hee-haw!
fröhliche Ballade ohne Drums / Beat mit Flöte , Synthesizer, getragen
Ein sehr zarter Walzer mit einem besengeschlagenen Drumgroove, Vibraphone, Piano und Hintergrund-Vocals. Es war ein schöner Sommertag, als plötzlich Regentropfen von einem Himmel fielen, der immer noch im strahlenden Sonnenlicht leuchtete.
XXL-Track, typischer Goa-Dance-Track zum psychedelischen Headbangen
Uptempo country track with electric and steel guitar top lines, and a ska like double time rhythm. Great for western or animation.
Ruhiger Underscore
An exotic, swaying, acoustic chillout track. With a very slight latin feel, this track is all about summer, holiday, relaxation, romance, silky smooth beaches and long, hot nights. Very tasteful, and excellent for travel, holiday or good times.
The piece is based on a theme from the last movement of the 2nd Violin Concerto in B minor by violinist Niccolò Paganini, a rondo in which the harmonies are supported by the ringing of a hand bell. Liszt had already used the theme for piano in his Variations Grande Fantaisie de Bravoure sur 'La Clochette' de Paganini in B minor. He then reworked the piece in the third etude of the 12 Études d'exécution transcendante in A flat minor. The final version of the Grandes Etudes de Paganin is written in G sharp minor. It is now the most popular and frequently played version. The etude is played at Allegretto and is basically a sequence of different finger exercises for the right hand. At the beginning there are huge staccato jumps of the right hand for which the piece is notorious. This is followed by exercises for the tension of the right hand , octave finger change exercises, trills, runs with almost exclusive participation of the weaker fingers, ascending sequences of fourth sex chords and finally chromatic octave runs. Since the difficulties are limited to the right hand, the piece is not as difficult for large, trained hands as it is commonly portrayed.