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flottes Piano-Intermezzo über einen Gefühlszustand
Dancing melodies bounce and sparkle in this glorious waltz for piano. A calmer section allows you to get your breath back before reverting to its sprightly and up-tempo feeling.
Ungewöhnliche und sehr atmosphärische Mischung aus keltischen und irischen Folk-Einflüssen mit indischen, orientalischen und asiatischen Elementen. Tablas und Sitar kombiniert mit E-Gitarren, indischen Raga-Flöten und keltischen Melodien. Ein wenig eklektisch, verträumt und ätherisch, mit einem Gefühl von weit entfernten Orten, Mythologie, Reisen, Abenteuer und neuen Entdeckungen.
Lustiges und exploratives Weihnachtslied fuer Orchester.
Wohlfühl-Space Rock irgendwo zwischen Elektro, Rock und Progressive. Ziemlich weich und sehr melodisch, als würde man zu gleichen Teilen Pink Floyd, Tangerine Dream und Mike Oldfield nehmen.
Beautiful melodies glide with effortless grace at the start of this famous Chopin piano solo. It becomes more intense before a soft ending. Used in many productions such as the James Bond film 'The Spy Who Loved Me'.
The minor key of this waltz gives the piece a melancholic, almost sad feel. The soloist plays at a medium tempo without straying too far from the initial melody, then a more optimistic section lifts the gloom before it returns to melancholy to finish.
Kurzer Trailer im New Orleans Strassenlook
Klassischer spanischer Latin-Stil mit zwei akustischen Gitarren und Kastagneten. Fröhlich und leicht mit positivem Feeling.
Der Weihnachts-Klassiker in einer tollen Spieluhr-Version. Perfekte Untermalung für Grußkarten oder Weihnachts-Spots. Elegant und besinnlich zugleich.
A driving set of Irish traditional jigs, beginning with Morrison's, and leading into Out in the Ocean at 1:02 which is slightly more happy and upbeat in tone. Mandolin, fiddle, whistle and guitar play the opening, and when bodhran joins in at 0:31, you really get the feel for Irish traditional music - similar almost to Riverdance music. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A warm, positive and melodic fantasy/celtic inspired track. Have a little patience with this one -- the atmospheric intro section lasts for about 1 minute before the tempo picks up to an upbeat celtic jam with piccolo flute, guitars, hand drums, etc. Full mix.
A traditional Irish double jig (Haste to the Wedding) which moves into slip Jig (Kitty Come Down to Limerick) at 1:00. Pounding bodhran drives both spirited jigs which are played by fiddle and mandolin. Popular jigs in Ireland, heard around the country, these are valiant, glorious and an ode to older times. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Sehr positives Afrika-Feeling. Sehr schnittfreudig und vielseitig einsetzbar.
Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.