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Filmmusik 270/285
Filmmusik
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1898 Gemafreie Musiktitel
5224 (GEMA-Repertoire)
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Schwermütig geht der Hausmeister durch die langen Gänge. Kreuze besser nicht seinen Weg.
Emotionaler und getragener Track, der an russische Volksmusik erinnert!
Ruhiger, sanfter, fliessender Opener mit Chor, Harfe, Streichern und Synths für fantasievolle Bilder und Collagen.
Perlenkugel, die gegen eine Fassade aus synthetischen Klängen prallt.
Eine mit Echo geladene Step-Sequenz. 1970er Jahre Retro.Look.
Kansai Airport - Sakei, 26 Stunden Flug. Da schläft man mit offenen Augen, hört plötzlich Musik und wacht auf. Ein Traum.
Dynamischer, pulsierender Opener mit zahlreichen Hits und Soundpads. Hervorragend für Intro, Trailer, Opener, Technik, Space, Science Fiction und Weltraum.
Dynamischer, pulsierender Opener mit zahlreichen Hits und Soundpads. Hervorragend für Intro, Trailer, Opener, Technik, Space, Science Fiction und Weltraum.
A typical baroque style piece. This was originally written by J.S.Bach as one of the movements in a suite composed for the lute. Popular with classical guitarists, it has a very rhythmical, almost march-like feel.
An emotional and complex piano solo which is alleged to be Chopin's attempt to reflect his unhappiness in Vienna. It has been widely used in films, (such as 'The Pianist'), and even in video games, 'Fallout 4').
Delicate lullaby for piano written by Chopin as variations on a theme. It showcases the inventiveness of the composer as ideas evolve. Lose yourself in this sweet and mellow composition.
A serene start with beautiful melodies produces a sentimental and loving atmosphere. This contrasts with the more upbeat, almost dance-like passage which in turns into a dramatic, powerful and forceful section before returning to a calm ending. Used widely in advertising and film and TV productions.
Chopin composed many mazurkas, (a Polish folk dance), and this is one of his most familiar. Not too fast, but swirling and with a light playfulness, it has a calmer interlude before resuming the dance.
The start to this Chopin waltz is elegant and almost sedate. But then the contrast is shown by very fast sections that leave you whirling and spinning with delight.
The second on Debussy's Arabesques is faster, brighter and more lively. Although the two works are usually put in the '20th Century' classical music period, they are now being increasingly seen as a separate impressionistic style popular with European composers.
The first movement of this famous Mozart piano sonata has an initial theme followed by six variations based on that theme. Inventive and unmistakably Mozart it has loud and soft, as well as fast and slow variations.
The theme of Mozart's Piano Sonata No.11 is delicate and serene. The instruction 'Andante Grazioso', (walking pace, gracefully), produces a peaceful foundation to the six variations that follow.
Slightly faster and more playful than the introduction to the first movement, this is the first variation of the Theme from the Mozart Piano Sonata No.11.
More lively than the Theme from the first movement of Mozart's Piano Sonata No.11, this is the second variation which is sprightly and much more intricate.
The fourth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is rather grand and regal. Full of grandeur and very stately.
The fifth variation of the Theme from the first movement of Mozart's Piano Sonata No.11 is light and airy. The melodies climb up into the sky and carry you off on clouds of delight.
The fastest variation of the Theme from the first movement of Mozart's Piano Sonata No.11 sparkles with energy and vivacity. A wonderful and lively ending to round off the variations of the main Theme.
A bold introduction disguises the delicate melodies of this menuetto. Punctuated by light, dancing themes, this is a positive and confident second movement to Mozart's Piano Sonata No.11.
1898 Gemafreie Musiktitel
5224 (GEMA-Repertoire)