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Filmmusik 50/285

Filmmusik

 


[< 50 >] von 285
1898 Gemafreie Musiktitel
5221 (GEMA-Repertoire)
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Evoking memories of past loves and a sense of "life's long journey", this fairytale flute aria has a crisp melancholic melody that dances through a bed of glistening glokenspiel & rich, lavish strings. An alternative 'heartbeat' version offers a subtle 120 bpm pulsing rhythm.


A True Love (Heartbeat Version)

Evoking memories of past loves and a sense of "life's long journey", this fairytale flute aria has a crisp melancholic melody that dances through a bed of glistening glokenspiel & rich, lavish strings. An alternative 'heartbeat' version offers a subtle 120 bpm pulsing rhythm.


A True Love (Underscore Version)

A melodic operatic soprano swoops and glides over reflective orchestration in this enlightening & heart felt aria. Evoking the reminiscence of sad and moving tragedy or the wonderment of spiritual beauty. The piece builds from a single voice into a choir of angelic beauty for a climactic ending. Matched in style and character to the Michael Stephen Decker track, Celtic Requiem.


On Reflection (Underscore Version)
1232. Cartoons Unite 01:31

An energetic orchestral cartoon theme, evocative of TV cartoons. A complex and pretty orchestration supports a cheeky and memorable theme presented on various orchestral instruments. A very upbeat, positive, fun and cartoony track with a high production value.


Cartoons Unite

A magical, sweeping, cinematic piece with a 'lurking' feel, Good as background music for fantasy and adventure, this track uses a full orchestra with bells, Pensive chord progressions, A sense of mystery and intrigue, Amazement and wonderment, Somewhat "Harry Potter-esque", Very craftfully produced orchestral sound,


Into The Abyss (No Choir)
1236. On Guard (No Choir) 01:01

An intense, swashbuckling, fight- or chase cue for adventure or fantasy, Grand, funm mischievous and lively, this orchestral action track will go well with scenes of good vs evil, pirates or adventurers, Very well produced orchestral sound, similar in mood to, say, Pirates of the Caribbean, Harry Potter, Raiders of the Lost Ark, etc,


On Guard (No Choir)

A dark and dramatic Fantasy / Sci-fi track for chase, battle, struggle or uprising, Full orchestra and available with or without choir, Tense / Dramatic, Good for Epic Trailers or scenes of conflict and combat,


The Battle Of D Khorah (No Choir)

A grand and lively orchestral cue, almost fanfare like, Uplifting, amazing and triumphant, A nice cue for the start of an amazing adventure, or a scene of amazing discoveries, happy reunions, the arrival of a great king, or perhaps setting sails for the great sea, Lively, excited, amazed and optimistic,


The Grandest Adventure (No Choir)
1239. On Guard 01:00

An intense, swashbuckling, fight- or chase cue for adventure or fantasy, Grand, funm mischievous and lively, this orchestral action track will go well with scenes of good vs evil, pirates or adventurers, Very well produced orchestral sound, similar in mood to, say, Pirates of the Caribbean, Harry Potter, Raiders of the Lost Ark, etc,


On Guard

Dark, dangerous, powerful forces. Rising up, majestic, like a horde of warriors or a fleet of warships. Threatening. Perhaps also pirates, pirate ship, or a religious cult, sect, religious ritual, sacrifice, black magic etc. Orchestra and choir, joined by rock drums from 00:40.


Toward The Sea (No Choir)
1898 Gemafreie Musiktitel
5221 (GEMA-Repertoire)
[< 50 >] von 285