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1563 Gemafreie Musiktitel
3778 (GEMA-Repertoire)
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Upbeat, bouncy pop rock piece. Cheerful and optimistic, with acoustic guitars, big rock drums and a catchy piano melody. Great for adverts.
A melodic, feel-good, ukulele track. Upbeat ukuele with acoustic, grooving drums. Accompanied by piano, electric guitar and bass guitar.
A kitsch retro-style mid-60's parody with big horns, Latino rhythms and an infectious flute & synth lead. Guaranteed to evoke the swinging sixties with its bright & bouncy easy listening style. Well matched with the Michael Stephen Decker track 'Sambatastico'
Exciting, edgy and modern. A relentless vision of futurism packed with lo-fi guitar and warped drum layers. The track builds towards an eerie, distant riff that charges full tilt towards a glitchy, fidgety ending. Visceral and oddly compelling.
Gentle but edgy abstract piece that portrays a variety of moods with variations in pitch and tone. The piece can be edited to suit the nature of the narrative. would suit a poignant, alternative or artistic documentary narrative. A number of mood variations are available in 30 second versions.
This joyous, rousing and boisterous theme evokes an athletic atmosphere charged with jubilation and national pride such as a large gathering, wide open space or sports event. A solid underscore for narratives, title sequences, scene setting, commentary, background and factual information. Glorious, victorious. Sports / events / celebrations. The track will easily blend with Champions Of Africa Tournament to create an entire themed programme package.
Percussion, guitars and big brassy trumpets are all crammed into this homage to the happy sounds of hot Latin rhythms. This cheerful tune has all the charm, warmth & rough qualities of an old recording and would be suitable for micro games, commercials, short films or off beat comedy videos. Similar in style to the Michael Stephen Decker tracks Wacko Town, Big Cheese, Wackorama & Sambatastico.
Floating through wide open spaces, rivers and canyons these dreamlike baritone guitar licks are as laid back as a campfire under the stars. Subtle, dreamy washes give this retro style Country & Western a futuristic twist.
Combining elements of the primal and the modern, this positive and uplifting ethnic-meets-electronic track develops over time and reaches full instrumentation at about 01:10.
Infectious parody of Laid back 60’s jazzy acoustic guitar with a sweet rolling rhythm from a vintage drum machine. Bursting with quirky charm & romance, the descending chord sequence would suit repetitive plays as in games or menus. Slightly oddball and full of fun.
Layers of warm, harmonic guitars, floating, blissful sound beds & a sprinkling of slow, filtered rhythms. A cool, chilled out soundtrack.
A subtle acoustic lounge jazz track featuring marimba, violin, cello, acoustic guitar, percussion, and a catchy melody.
A jazzy-upbeat and positive, big band orchestration in the style of a 50's movie or TV show. Perfect for this role, or as a positive underscore for an upbeat video. Plenty of harp flourishes, a catchy jazz melody, with potential for festive uses.
A jazzy-upbeat and positive, big band orchestration in the style of a 50's movie or TV show. Perfect for this role, or as a positive underscore for an upbeat video. Plenty of harp flourishes, a catchy jazz melody, with potential for festive uses.
A jolly, chilled, laid-back and humorous ukelele lead tune perfectly suited for an underscore or background music role, or in scenes involving a sense of comedic irony. A little Spongebob Square Pants under the sea.
A jolly, chilled, laid-back and humorous ukelele lead tune perfectly suited for an underscore or background music role, or in scenes involving a sense of comedic irony. A little Spongebob Square Pants under the sea.
An original and quirky nu-folk tune with vocal chanting, ukulele, acoustic guitar and cello. Inspiring, modern and fresh.
Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
1563 Gemafreie Musiktitel
3778 (GEMA-Repertoire)