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Percussion 480/592

 

4925 Gemafreie Musiktitel
9861 (GEMA-Repertoire)
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11976. Breakout (No Choir) 01:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (No Choir)

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually towards the climax with hard edged synths and battle type percussion. Good for epic trailers, action / chase / conflict and more.


Breakout (Stronger Drums)

A dark, edgy and gritty, slow but aggressive Dubstep track. Mangled and distorted synthesizers stutter and pump, with a mechanical, robotic, relentless and hard edged beat. Atmospheric, unstable, nasty. Good for hardcore material including scifi, extreme sports, extreme motorsports, conflict and mayhem.


Darkest Day (Low Effect Filter Fade)
11982. Most Wanted 02:08

Drum and bass style track with a dub-step flavoured bassline. It starts off with a softer style bassline wobble until the first breakdown. A sharp acid synth is introduced in the breakdown and builds to the main drop. Growly acid synth shines in the second drop, and is surrounded by edgy drums and industrial noises. An alarm like sound trails off to the end of the track. This track goes well with car chases, car commercials, extreme sports, racing, fight scenes, chase scenes etc.


Most Wanted
11983. On The Edge 02:20

A dramatic and edgy electronic / cinematic crossover track with orchestral strings building up gradually until it bursts into a hard edged, gritty Dubstep beat. Good for action trailers, extreme sports, battle / warfare and more. Tech/Mech feel.


On The Edge
11984. One (Extended Version) 03:12

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (Extended Version)
11985. One (No Drums Version) 01:58

Orchestral and cinematic meets gritty, grinding electro / Dubstep. This track combines dramatic sounding, cinematic strings and reverberant piano with mech / tech / robotic sounding, grimey, futuristic beats. The emotive, longing feel of the cinematic parts create an interesting combination with the mechanical, dark, glitchy electro backing.


One (No Drums Version)
11986. Rise Of The Machine 02:35

Emotional strings set the mood for this track. Big hits sound distant yet powerful. The main drop happens at about 1 minute into the track, with bit-crushed, mechanical sounding drums. Violent, dramatic, epic, futuristic. For epic trailers, sci-fi, scenes of rising armies. Also for sports / achievement / grit.


Rise Of The Machine
11987. Trailer Madness 01:23

Edgy, distorted, mechanical sounding, with huge drums and bit-crushed, acidic synths. Very dark. Doom laden, with pounding percussion and a relentless, aggressive feel. Orchestral sounds mangled and combined with edgy synth work.


Trailer Madness

Gaming or adventure music with a relentless marching thrust that includes smouldering interludes shot through with flurries of eastern flutes. There is also a Contemporary Mix which adds Urban style drums for a hip-hop soundtrack feel.


Advancing Forces (Contemporary Mix)

Modern, atmospheric electronica suggesting optimism, discovery and inspiration. Evoking feelings of aspiration and security and a sense of wonderment with mysterious depths. A brighter tomorrow for Ecology, travel, science & technology and the Natural World. Similar in style and instrumentation to other Michael Stephen Decker tracks such as Three Little Wishes, Speed Of Night, The Hands Of Time and Sky Dreams.


An Amazing Future (Underscore Version)
11993. An Amazing Future 02:06

Modern, atmospheric electronica suggesting optimism, discovery and inspiration. Evoking feelings of aspiration and security and a sense of wonderment with mysterious depths. A brighter tomorrow for Ecology, travel, science & technology and the Natural World. Similar in style and instrumentation to other Michael Stephen Decker tracks such as Three Little Wishes, Speed Of Night, The Hands Of Time and Sky Dreams.


An Amazing Future

Rising adagio strings accompany a dipping and gliding woodwind line evoking a sense of wide open space and grandeur. A soaring mid section is followed by an angelic choir that joins the rising strings. In the style of classical masters such as Barber and Elgar.


Angels In Flight (Underscore Version)

A witty, bouncy uptempo orchestral overture with twittering flutes, brassy horns and pizzicato cellos. A variety of happy and sad cues make it highly suitable for use with a humorous commercial/infomercial narrative. Reminiscent of post war comedies and Aardman Animation. Or the post irony of Curb Your Enthusiasm and Danny Elfman style film scores.


Another Lovely Day (Underscore Version)

This lively & mischievous filmic sounding leitmotif builds from quizzical phrases into busy, bustling orchestration that hurries along with occasional humorous hesitations. Evoking excitement & magic or the busy drudgery of the working day. Matched in style & character to other Elliot Simon’s tracks, Another Lovely Day, The Secret Path, A Midnight Symphony, Hotel Tango and An Unfortunate Incident.


Another Working Day (Underscore Version)

Divine beauty and an aura of mystery in this futuristic mix of choirs and washes. Its sense of charismatic wonderment & dark intrigue makes it suitable for science, nature, ecology, sporting events, mystery or drama. Similar in style & sentiment to Michael Stephen Decker’ ‘Dark Horizon’, ‘Sky Dreams’ and ‘An Amazing Future’. The Underscore Version is without the angelic voices and takes on a more sinister atmosphere.


Ascent Of Souls (Underscore Version)

A kitsch retro-style mid-60's parody with big horns, Latino rhythms and an infectious flute & synth lead. Guaranteed to evoke the swinging sixties with its bright & bouncy easy listening style. Well matched with the Michael Stephen Decker track 'Sambatastico'


Big Cheese (Underscore Version)
4925 Gemafreie Musiktitel
9861 (GEMA-Repertoire)