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Percussion 498/592

 

4925 Gemafreie Musiktitel
9861 (GEMA-Repertoire)
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A kidz-oriented theme with a playful, cheeky and somewhat otherworldly quality. Works equally well with projects featuring playful and catchy elements, or extraterrestrial themes. Also performs excellently as a main theme for a kids themed mobile game or video.


Space Hopper (Underscore Version)

A steady, mid-tempo, electronic styled backing track with a futuristic or progressive feel, highly suited to technology demonstrations or presentations that need a futuristic flare. A unique and pulsing synth rhythm creates a forward momentum and a light synth melody piques interest. Perfect for both underscore and foreground uses.


Technology Progress (Underscore Version)

A jolly, chilled, laid-back and humorous ukelele lead tune perfectly suited for an underscore or background music role, or in scenes involving a sense of comedic irony. A little Spongebob Square Pants under the sea.


The Elevator Under The Sea (Underscore Version, No Drums)
12432. The Funky Two 03:21

A modern funk-pop groove that feels positive and uplifting yet fashionable and fresh. Led by a poppy and modern funky drum and bass combo and featuring funky guitar and horns. Great as an underscore. Complimented with a selection of stingers and seamless loops.


The Funky Two
12435. The Showdown Trailer 02:57

A rousing, dark, hair raising epic trailer theme. Huge horns meet action strings and full choir in a dynamic full orchestra score. A tense 'ticking clock' theme runs throughout. Available in looping, long, short and brass-free versions for ease of editing.


The Showdown Trailer

Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Blarney Pilgrim - Kesh (No Banjo)

Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Connaught Mans Rambles - My Darling Asleep (No Guitar)

Opening with moving electronic sounds, and pounding drums, this is a powerful and cinematic track which creates a heroic and huge sound. An unusual mix of electronic and orchestral sounds which creates a dark and determined feeling.


Darkness Ahead (No Brass)
12441. Deception (No Drums) 02:14

A suspenseful and intense cue which creates an ominous, threatening and foreboding feeling. Distorted guitars, piano and electronic elements all come together to create a tense and apocalyptic sound.


Deception (No Drums)

A popular set of beautiful and proud sounding Irish traditional hornpipes from the 1850 collection "O'Neill's Music of Ireland", played by whistle, guitar, bodhran and fiddle. Begins with Dunphy's Hornpipe and leads into Stack of Barley at 1:41 at which point the fiddle joins in. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Dunphys Hornpipe - Stack Of Barley (No Bodhran)
12443. End Game (No Brass) 01:57

A fast paced action packed cue which creates a dark, cinematic and suspenseful mood. Threatening and pounding drums mixed with electronic elements along with booming brass, creating a huge cinematic sound.


End Game (No Brass)

A cue consisting mainly of electronic sounds and synths. Large "bram" sounds from brass mixed with epic sounding strings which create a large cinematic sound. Distorted drums and driving guitars make this a huge sounding track.


Enter The Machine (No Bass Synth)
12445. Galactus (No Drums) 02:02

Opening with epic strings and huge sounding synths, this is a massive sounding track complete with risers and boomers for transitions. Perfect for an epic trailer - a huge sounding female choir joins in for the main theme.


Heaven Falls (No Choir)

Opening with epic strings and huge sounding synths, this is a massive sounding track complete with risers and boomers for transitions. Perfect for an epic trailer - a huge sounding female choir joins in for the main theme.


Heaven Falls (No Strings)
12448. Heaven Falls 02:21

Opening with epic strings and huge sounding synths, this is a massive sounding track complete with risers and boomers for transitions. Perfect for an epic trailer - a huge sounding female choir joins in for the main theme.


Heaven Falls

Ominous synths with pounding drums set the scene, while solo violin creates a lyrical and emotional mood. Huge brass section enters at 0:55 to create a massive sounding theme along with violins and booming crunchy drums. Epic in every sense - perfect for a movie trailer.


Hero Reigns Supreme (No Drums)
12450. Lament For Limerick 05:28

A sad and reflective traditional Irish air played on the fiddle and accompanied by nylon guitar. Contemplative, pensive and thoughtful, this air is beautiful, stirring and incredibly sad also. From around 18th century Ireland - a truly genuine Irish air. 100% live performance.


Lament For Limerick
4925 Gemafreie Musiktitel
9861 (GEMA-Repertoire)