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Musik von Michael Stephen Decker
225 Titel
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A bright, uplifting & heart warming melody with the feel of an independent comedy drama or children’s animated feature. Orchestration adds humour and a sense of fun & a longing cello line adds a tinge of melancholy. Calming & buoyant with a quirky, positive outlook.
Cutting edge percussive FX fused to a dystopian orchestral break. Evoking visions of speed, excellence and futuristic, hybrid technology. Well matched with the Michael Stephen Decker track 'Speed of Night'.
A kitsch retro-style mid-60's parody with big horns, Latino rhythms and an infectious flute & synth lead. Guaranteed to evoke the swinging sixties with its bright & bouncy easy listening style. Well matched with the Michael Stephen Decker track 'Sambatastico'
A playful, light hearted reggae tinged theme that innocently burbles happily along towards a big “uh-oh” moment that happens at 8 bar intervals throughout the piece. Suitable for reality style programming gaming sequences or commercials that involve a reveal moment.
Huge brass stabs, string lines and cymbal crashes tumble towards a thrilling central theme in this energetic orchestral workout. Suitable for battles, dramatic chases & scenes of conflict.
Brooding, distorted guitar riffs floats above a smouldering dystopian landscape awash with strange metallic artefacts. This dark but strangely beautiful soundscape encompasses many different styles to create a unique atmospheric theme equally at one with either action or scene setting narratives.
Divine beauty and an aura of mystery in this futuristic mix of choirs and washes. Its sense of charismatic wonderment & dark intrigue makes it suitable for science, nature, ecology, sporting events, mystery or drama. Similar in style & sentiment to Michael Stephen Decker’ ‘Dark Horizon’, ‘Sky Dreams’ and ‘An Amazing Future’. The Underscore Version is without the angelic voices and takes on a more sinister atmosphere.
With a bright & jaunty skip in the step, this mischievous romp pays homage to the golden age of whacky comedy film scores while still remaining ironic & contemporary sounding. The memorable hookline makes it a fun motif for radio & TV ads, cartoons, short films & games. Similar in style & sentiment to Michael Stephen Decker’ ‘An Unfortunate Incident’, ‘Another Working Day’ and ‘A Midnight Symphony’.
Majestic and dark, this fantasy inspired passage canters towards wavering violins at 00:41.
Combining elements of the primal and the modern, this positive and uplifting ethnic-meets-electronic track develops over time and reaches full instrumentation at about 01:10.
This amusing & magical leitmotif features lively pizzicato cellos as they tip toe towards a marching Mariachi trumpet line that vanishes into thin air, only to be replaced again by the creeping, mischievous cellos. Hotel Tango is matched in style & character to the other Elliot Simon’s tracks, Another Working Day, The Secret Path, A Midnight Symphony and An Unfortunate Incident.
These short incidental bursts of busy pizzicato string sequences will sit comfortably under narrative or as an accompaniment to bustling imagery. The short bursts are punctuated with silences making them easy to edit into any duration.
Introspective, cold & haunting Piano led aria.
Gentle but edgy abstract piece that portrays a variety of moods with variations in pitch and tone. The piece can be edited to suit the nature of the narrative. would suit a poignant, alternative or artistic documentary narrative. A number of mood variations are available in 30 second versions.
Ambient sci-fi soundscape. Floating synth pads and eerie scifi sound textures, inspired by the work of David Lynch.
Moving, swarming ambient bed with a foreboding, dark drone and a resonant melody line. Space, sci-fi, mystery...
A crazy TV-type Looney Tunes theme tune hook with whacky nonsensical interludes and FX.
Exciting, edgy and modern. A relentless vision of futurism packed with lo-fi guitar and warped drum layers. The track builds towards an eerie, distant riff that charges full tilt towards a glitchy, fidgety ending. Visceral and oddly compelling.
Heavy weight, thumping dance track with a seriously low bass line, dirty stabs and a quirky, squeaky synth that dances and jitters restlessly. Robots, machinery, technology, future, cutting edge, high-tech.
Authentic sounding medieval instruments play a bawdy, brazen celtic dance number for the Tudor court. The track varies in tempo, with some uptempo parts and others slow.
