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klingelnd, melodisch, süß
Short Japanese inspired track with ethnic instruments and a flavor of the east. Brimming with ethnic sounds such as Koto, Tambra and shakuhachi. The track builds into a nice warm resolution.
Mysterious, yet playful, this track is relaxed, fun and intriguing. Creates a somewhat contemplative mood, but has enough energy throughout to keep it upbeat and mischievous.
Breaks und Beats mit Synthiewah und -waus, marschiert flott und lässt Raum für alles Wesentliche
A very haunting and worrysome latin musette waltz with a beautiful melody and moving harmony featuring piano, accordion, guitar, bass, drums and percussion.
Ein echter Wohlfühl-Pop-Groove-Track mit hawaiianischer Färbung. Frisch und gitarrenlastig, groovige Bassline und Hawaii-Gitarren. Ausgezeichnet für alle positiven, aufbauenden, erfrischenden und fröhlichen Medien. Reisen, Strand, Urlaub und Spaß in der Sonne.
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Kleopatras Bauchtanztruppe beglückt die römischen Touristen mit tanzbarem Orient-Groove
Kurzes Intro für den Auftritt der Clowns im Zirkus Wolkenheim
A moody and intense pop-rock track. Acoustic guitar and atmospheric noises on the verse parts and intense guitar textures on the chorus parts. Inner turmoil, love, heartbreak, growing up, youth drama.
A charming, fun and happy track based on acoustic guitar and whistling. Care free, relaxed, easy going and casual, like a pleasant stroll. Taking it easy, enjoying life's simple pleasures, feeling supremely relaxed and at ease. Excellent track for hiking, strolling, gardening, or any off-beat, relaxed film, commercial, advertising, and much more. There is also an alternative recording where another acoustic guitar melody replaces the whistling.
Die Bass-Linie ist ein Zitat aus einem bekannten Jackson-Song, ansonsten bewegt aber mit entspannter Atmo.
Modern upbeat, groovy dancey track with an Indian , Arabian flavour. contains sitar, flutes, ethnic percussion, bass and drums.
A fun, playful, and inquisitive childlike mood is created by a quirky piano melody, peculator percussion rhythms, pizzicato cello and unique sliding sounds. Good for offbeat romantic comedies and lightly comedic mischievous scenarios of all kinds.
A moody and atmospheric ambient piece with ethereal pads and ambient slide guitar. Soft, yet deep and evocative, like an unfolding story or a magnificent sunrise. The track has a slight sense of ethnic mystery or the ancient world, maybe India. Very dreamy, reflective and rich on atmosphere, perhaps something spiritual.