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5303 Gemafreie Musiktitel
12776 (GEMA-Repertoire)
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Die perfekte Musik für große Emotionen! Einprägsame Piano Arpeggios, Akustik Gitarren, melodische E-Gitarren und groovige Drums prägen diesen zugleich atmosphärischen und treibenden Songs, der an Coldplay und Konsorten erinnert. Klingt nach Freude, Euphorie und Nostalgie. Macht sich gut in jedem Film und in jeder Werbung!
mystisch, emotional
Saxofon - hot and dirty, feiner Beat in verrauchter Baratmospähre
Los geht's! Dieser extrem motivierte IProduction Music ndie-Rock-Song nimmt jeden an der Hand auf eine Reise voller Spass und Energie!
Tanz der Kobolde – lustige, kleine Fantasy-Filmmusik mit Glockenspiel, pizzicato Streichern, Clarinette, Harfe und Percussion.
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Energetic twenties style jazz played by a live ensemble of guitars, clarinet and bass. This lively up-tempo track is a cross between a charleston dance and the music of Django Reindhart.
Overtüre zu einem Mystery-Krimi, dezent und nachhaltig
An upbeat yet longing tango with an Italian feel. Featuring accordion, mandolin, solo violin and rhythm section.
An emotional Italian love song in the style of “the godfather”. Featuring solo violin, mandolin, piano and orchestra.
An emotional mafia tune, featuring, mandolin, accordion, classical guitar and piano. Sad and heartfelt.
A romantic Italian love tune featuring solo violin, mandolin and guitar. Sad, reflective and fragile.
A driving action cue with an Italian flavor that builds in intensity. Featuring solo violin, accordion and orchestra.
A dark and sad processional with an Italian undertone. Featuring solo violin, mandolin and orchestra. For a funeral or the loss of a loved one.
An intimate Italian love song featuring solo violin, mandolin, pizzicato bass and strings. For a yearning lover or a lost love.
treibendes Bassthema, bis 2:50 mit Mundorgel, dann kommt die Basedrum und gibt nochmal richtig Schwung, insgesamt aber ein eher ruhiger Hintergrund
Solo Klavier Arpeggios mit traumhaften Harmonien. Leicht melancholisch, aber hoffnungsvoll und inspirierend.
A beautiful, flowing introduction leads us into a magical fantasy. Sweet and tender, this is the first of Debussy's 'Deux Arabesques'. Written in E major and played at a slow tempo it gives a regal, emotional tone. Widely used in popular culture such as in TV themes and advertising. It has also been sampled by Alicia Keys and used in the video game 'Final Fantasy V'.
Elektronisches Orchester mit zahlreichen Fills, ein kreisendes Thema zaubert eine mysteriöse Stimmung
Zwei Klavierthemen stehen einander gegenüber, danach folgt ein bewegter Mittelteil. Eignet sich als Untermalung für eine Collage ebenso wie für die Akzentuierung eines dramatischen Momentes. Nicht zu aufdringlich, aber doch thematisch markant. Im vorliegenden Arrangement für großes Orchester.
Mittelalterliche Instrumente spielen dieses melancholische Stück gemeinsam mit einem Streichquartett
Zwei Klavierthemen stehen einander gegenüber, danach folgt ein bewegter Mittelteil. Eignet sich als Untermalung für eine Collage ebenso wie für die Akzentuierung eines dramatischen Momentes. Nicht zu aufdringlich, aber doch thematisch markant. Im vorliegenden Arrangement für Klavier-Solo.
Außergewöhnliche Mischung aus modernen Beats und klassischem Orchester sorgen für eine magische, majestätische Stimmung.
5303 Gemafreie Musiktitel
12776 (GEMA-Repertoire)