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5303 Gemafreie Musiktitel
12776 (GEMA-Repertoire)
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Classic 1960's, 1970's style funk-rock with a slick, modern sound. Funky bass line, Hammond organ. Fun and excitement, casinos and gambling, game shows, showtime. Jazzy and upbeat, exciting, Las Vegas. A little bit mischievous, cheeky. Takes on a more bluesy rock feel towards the end, with a blues guitar.
Klischeehaftes Musikstück, das an Paris erinnert. Gewitzt mit Pfeifsolo. Später überlappen die Stimmen. Perfekt zu Reisefilmen.
The Sami, also known as Lapps, are the indegenous people of Northern Scandinavia. Hailing from northern parts of Norway, Sweden, Finland and Russia (the Kola Peninsula), their lives and appearance have a lot in common with Native Americans. Their music is dominated by the unique and easily recognizable Joik (or Yoik) which again lends similarities to the chanting vocal styles of Native American music. It is often accompanied by a simple hand drum beat.
A fast, dramatic and energetic end to the famous Moonlight Sonata. The third movement moves along at a great pace, (presto agitato - which means fast, in a hurry and agitated). The pianist gives a fantastic rendition of this high tempo work. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Moderner Pop-Rock, der direkt ins Ohr geht. Motiviert, jung und sehr flexibel einsetzbar!
treibender, motivierender Rocktitel mit einer großem Pathos, viele orchestralen Einflüssen, Classic meets Rock.
Hybrid-Sound at its best. Orchestrale Elemente mit pulsierenden Basslinien und Percussion machen diesen Track zu einem reinen Hörgenuß und sehr vielseitig einsetzbar. Sehr gut geeignet für TV, Trailer oder Werbungen.
Bunt und filigran wie die australischen Traumfänger im zeitgemäßen Eso-Ambiente, bleibt am Thema, prima Background
musikalische Ankündigung von Veränderung, untergründig spannend, treibendes Piano vor schwellenden Streichern, trotzdem zart
Elektro-Funk Track mit hervorstechenden Synthies, retro style funk drums und einem phatten bass riff. Hat das gewisse Etwas von der Flucht eines Undercoveragenten
The third in a series of highly expressive and free-flowing compositions by Satie is again at a slow pace like the first one. This gives the track a sombre and hypnotic quality. Creates an almost haunting atmosphere.
formal, pensive and slightly mournful classical piano piece.
Klavierarpeggios, atmosphärische Streicherpads und entschlossene Drums rocken drauflos und erschaffen eine seriöse, leicht sentimentale Production Music Stimmung.
Ein musikalisches Feuerwerk, so wie es zu Weihnachten sein soll! Mehr Weinachts-Gefühl geht nicht! Perfekter Werbe-Titel für die schönste Zeit im Jahr!
a dramatic cinematic track full of suspense, excitement, mystery, anticipation & wonder. contains string section and percussion. would suit mystery/christmas/spy/children's projects.
Wunderschöne Meditation zum Träumen auf der akustischen Gitarre
Melodischer Pop Rock mit eingängiger Klavier- und Rhodesmelodie, fetten E-Gitarren, E-Bass und treibendem Schlagzeug. Positiv, jung und motivierend, Production Music perfekt für Werbung!
The first movement of this instantly recognisable piano sonata starts off quietly to set a calm, delicate and slightly melancholic tone. As the emotions rise and fall, the intensity swells and diminishes gracefully. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Mit der Rikscha geht es direkt durch Delhi. Positive indische Hintergrundmusik mit exotischen Charakter.
5303 Gemafreie Musiktitel
12776 (GEMA-Repertoire)