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9221 Gemafreie Musiktitel
16857 (GEMA-Repertoire)
Waveform

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A high energy pop-rock track with an immensely catchy chorus and a powerful driven guitar riff. Has attitude and groove while featuring slick production values. Available as a Vocal version and an Instrumental version. The instrumental makes this suitable for both underscore and foreground use.


The Race (Instrumental Version)

A high energy pop-rock track with an immensely catchy chorus and a powerful driven guitar riff. Has attitude and groove while featuring slick production values. Available as a Vocal version and an Instrumental version. The instrumental makes this suitable for both underscore and foreground use.


The Race (Vocal Version)
18405. The Showdown Trailer 02:57

A rousing, dark, hair raising epic trailer theme. Huge horns meet action strings and full choir in a dynamic full orchestra score. A tense 'ticking clock' theme runs throughout. Available in looping, long, short and brass-free versions for ease of editing.


The Showdown Trailer

Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Blarney Pilgrim - Kesh (No Banjo)

Lively and upbeat Irish tunes. Bodhran, banjo, guitar, fiddle and tin whistle join together in a popular Irish jig set. First tune is "Blarney Pilgrim", which then leads into Kesh. Both tunes were notated in O'Neill Music of Ireland collection in 1850 - a true "traditional" set of tunes which are popular at many Irish sessions. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Blarney Pilgrim - Kesh (No Bodhran No Banjo)

The Chaffpool Post tune leading into the Hills of Tara (at 1:31) - both are popular barn dances from around 19th Century Ireland. Light, happy and upbeat, this set of tunes are heard often in Irish traditional pub sessions - in this occassion with piano accompaniment to banjo and fiddle playing the main tune. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Chaffpool Post - Hills Of Tara (No Bodhran)

Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Connaught Mans Rambles - My Darling Asleep (No Bodhran No Guitar)

Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Connaught Mans Rambles - My Darling Asleep (No Bodhran)

Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Connaught Mans Rambles - My Darling Asleep (No Guitar)

Opening with moving electronic sounds, and pounding drums, this is a powerful and cinematic track which creates a heroic and huge sound. An unusual mix of electronic and orchestral sounds which creates a dark and determined feeling.


Darkness Ahead (No Brass)
18415. Deception (No Drums) 02:14

A suspenseful and intense cue which creates an ominous, threatening and foreboding feeling. Distorted guitars, piano and electronic elements all come together to create a tense and apocalyptic sound.


Deception (No Drums)

A popular set of beautiful and proud sounding Irish traditional hornpipes from the 1850 collection "O'Neill's Music of Ireland", played by whistle, guitar, bodhran and fiddle. Begins with Dunphy's Hornpipe and leads into Stack of Barley at 1:41 at which point the fiddle joins in. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.


Dunphys Hornpipe - Stack Of Barley (No Bodhran)
18417. End Game (No Brass) 01:57

A fast paced action packed cue which creates a dark, cinematic and suspenseful mood. Threatening and pounding drums mixed with electronic elements along with booming brass, creating a huge cinematic sound.


End Game (No Brass)

A cue consisting mainly of electronic sounds and synths. Large "bram" sounds from brass mixed with epic sounding strings which create a large cinematic sound. Distorted drums and driving guitars make this a huge sounding track.


Enter The Machine (No Bass Synth)
18419. Further Down The Road 02:27

Piano music. Inspired by the sound of Thomas Newman - soothing and loving, evoking and beautiful. Magical and inspiring, the beauty of the piece remains consistent throughout, creating a touching and warm mood.


Further Down The Road

Opening with epic strings and huge sounding synths, this is a massive sounding track complete with risers and boomers for transitions. Perfect for an epic trailer - a huge sounding female choir joins in for the main theme.


Heaven Falls (No Choir)

Opening with epic strings and huge sounding synths, this is a massive sounding track complete with risers and boomers for transitions. Perfect for an epic trailer - a huge sounding female choir joins in for the main theme.


Heaven Falls (No Strings)
18423. Heaven Falls 02:21

Opening with epic strings and huge sounding synths, this is a massive sounding track complete with risers and boomers for transitions. Perfect for an epic trailer - a huge sounding female choir joins in for the main theme.


Heaven Falls
18424. Lament For Limerick 05:28

A sad and reflective traditional Irish air played on the fiddle and accompanied by nylon guitar. Contemplative, pensive and thoughtful, this air is beautiful, stirring and incredibly sad also. From around 18th century Ireland - a truly genuine Irish air. 100% live performance.


Lament For Limerick

Piano music. A floating and soaring mood is created from multiple pianos playing beautiful melodies and harmonies. Violin enters at 1:50 providing a romantic and soulful edge. Very minimal and serene - close your eyes and you can imagine flying through the clouds.


Lost In A Dream (No High Piano)
9221 Gemafreie Musiktitel
16857 (GEMA-Repertoire)