Alle Rechte vorbehalten. Kein Einsatz ohne vorherige Lizenzierung. Bitte seien Sie fair. Danke!
Up-tempo Acid Jazz with quick wandering double bass, jazz piano and big brass stabs. Cool and confident.
Frischer, mitreissender grooviger Electro Swing mit Kontrabass. Gut geeignet für Themen wie Lifestyle, Tanz, Party, Fashion, Prominente, News und Werbung!
blühende Wiesen, weites Land und im Hintergund die Rocky Mountains. Das amerikanische Sommer-Orchester spielt auf....Variante Nr.3
Starke patriotische Orchestermusik für Computerspiele, Film und Fernsehen. Ab 0:45 beginnt das Thema, welches typisch durch verschiedene Instrumentengruppen moduliert wird.
Energiegeladener, massiver, angeberischer Track mit E-Gitarren und Orchester Elementen im modernen cinematic Stil. Klingt wie die Verfolgungsjagd eines Spions. Auch gut einsetzbar für Auto-, Motor- und Rennsport, wenn die wirklich großen Jungs die Underground Racing Bühne betreten.
Ein volles Orchester und eine Pop-Band bringen Hollywood direkt in dein Zimmer. Dieser epische Track vereint das Fernweh und den Wunsch nach Freiheit. Lass dich treiben ...
Eine melodischer Country-Track. Ausgezeichnetes Wohlfühl-Material, ideal für Tages-TV, Angeln, Natur, Hobby, Männer, Motoren und Freizeit.
Viele Trommeln, Percussions und verzerrte Synthis bilden die Grundlage für diesen fetzigen elektronischen Tribal-Trance-Song. Ein Didgeridoo im Mittelteil bringt eine interessante klangliche Abwechselung.
A rough and determined, gritty crossover of Rock, Funk, Electro and Hip-Hop. Slamming funk drums, a biting guitar riff and occasional squelchy synth riffs come together in a sort of urban "big beat" funk-rock. Good for chase, metal & glass, destruction and fighting, car race / car chase, tough guys, rough sports and action, action-filled undercover operation, etc.
A traditional Irish double jig (Haste to the Wedding) which moves into slip Jig (Kitty Come Down to Limerick) at 1:00. Pounding bodhran drives both spirited jigs which are played by fiddle and mandolin. Popular jigs in Ireland, heard around the country, these are valiant, glorious and an ode to older times. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Fun, upbeat and lively Irish double jig set. Connaughtman's Rambles opens with banjo, while fiddle joins in at 0:29. The tune leads into My Darling Asleep at 0:58 at which point guitar and bodhran join in creating a pounding and driving mood. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
A popular set of lively, spirited and vivacious polkas from 19th Century Ireland - heard in many Irish traditional music pub sessions - performed by whistle, guitar and fiddle. Egan's Polka leads into Maurice Manley's Polka at 0:49 - both are upbeat, driving and merry. 100% live performance. This track has two titles because this is traditionally how many Irish pub tunes are performed, as a double set of short tunes, the first leading directly into the second.
Punk / Rock / Up-Tempo. This track puts you in the middle of a crowd at a live Punk-Rock gig. The slow paced intro is only a taster of whats to come. Once it kicks in, prepare to rock out! Wild and punky.
progressiv, zuversichtlich
Mainstream Rap Arrangement für gewitzte Talkovers
Threesomes Trance track, with a sensitive piano hook, dreamy backings and the support of large sparkling synths
Uptempo country track with electric and steel guitar top lines, and a ska like double time rhythm. Great for western or animation.
A bright and pleasant, light contemporary pop groove with a very slight "highland" feel due to the occasional Celtic or Far Eastern type flute. Very inspiring / inspirational, great for goals and aspirations, achievements and moments of perfect clarity.
Freundliches Intro, treibender Groove, eingängiges Flöten-Thema in der Mitte und gegen Ende des Songs, etwas anderer Schlagzeug-Groove am Ende
Abgespeckter Funky Hip-Hop. Trockener und transparenter Sub-Bass. Knackige E-Drums und gelegentliche Orchester-Licks und subtile Stimmen.