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[< 74 von 82
431 Gemafreie Musiktitel
1602 (GEMA-Repertoire)
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1826. Lowdown (no Guitars) 02:02


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Lowdown (no Guitars)
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1827. Not A Care In The World 03:43


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Not A Care In The World
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1828. Last Breaths 02:13

Sombre and guilty, this track is laden with remorse and sad emotions. Slow and subdued with a very spacious feel, this features modern synth sounds that combine and interact to create a very thoughtful and reflective soundtrack.


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Last Breaths
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1829. Magnetic Field 02:43

Light synth sounds bouncing off deeper bass tones and a busy but subtle drum beat allow this industrial track to have a hi-tech, futuristic feel. Piano melodies give a slightly mysterious atmosphere on a piece which could be used for crime and thrillers too.


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Magnetic Field
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1830. Manic Disposition 02:23

Weird and spooky, this upbeat track contains piano chords searching for a balanced and perfect world. A fast drum track beats out a chase-style rhythm which allows you to use this piece for a variety of mysterious settings.


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Manic Disposition
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1831. Psychic Powers 02:38

Investigating an unsolved crime is the general feeling created by this track perfect for thrillers. A simple piano motif provides a basis for strange bell-like tones and synth effects to produce a slightly eerie and spooky atmosphere.


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Psychic Powers
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1832. Night On The Range 02:15

Ambient Western track. Features a ghostly, haunting atmosphere that would compliment scenes where the characters are in a dark place, feeling sad, or just exploring the mysterious great outdoors. General background track for movie / film / adventure / fantasy / history etc. Atmospheric and with a sense of pensive curiosity.


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Night On The Range
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1833. Parish Hall (No Fiddle) 02:24

This warm and uplifting piece conveys a sense of community and peace. The track would work in scenes where people stand together or help one another, such as at a Sunday service or raising a barn.


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Parish Hall (No Fiddle)
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1834. The Bard And His Bride (Flute Harp Piano) 01:57

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


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The Bard And His Bride (Flute Harp Piano)
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1835. The Bard And His Bride (Underscore Version) 03:04

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


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The Bard And His Bride (Underscore Version)
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1836. Showdown 02:28

Music for a showdown at high noon. Begins tense and sparse, building in energy through several stages as the gunfighters size each other up, it finally ends with a climax as a gun fires and one of the men falls.


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Showdown
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1837. The City In The Clouds (Underscore Version) 03:08

This cinematic orchestral track suggests scenes involving magical or dramatic settings, It has an expansive feel, and features a prominent melody, It could suit adventure, supernatural, outer space or nature themed productions,


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The City In The Clouds (Underscore Version)
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1838. The Sea At Dawn (Underscore Version) 03:17

A cinematic orchestral piece inspired by scenes of natural beauty, Would work well for scenes that begin a story, or that evoke natural phenomena such as sunrises, mountain ranges, seascapes, and the like, Very dramatic with a strongly positive feel,


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The Sea At Dawn (Underscore Version)
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1839. The Sea At Dawn 03:17

A cinematic orchestral piece inspired by scenes of natural beauty, Would work well for scenes that begin a story, or that evoke natural phenomena such as sunrises, mountain ranges, seascapes, and the like, Very dramatic with a strongly positive feel,


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The Sea At Dawn
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1840. Better Not To Know (Detuned) 02:40


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Better Not To Know (Detuned)
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1841. Better Not To Know (Piano Only Detuned) 02:40


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Better Not To Know (Piano Only Detuned)
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1842. Better Not To Know (Piano Only) 02:40


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Better Not To Know (Piano Only)
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1843. Better Not To Know (Strings Only) 01:58


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Better Not To Know (Strings Only)
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1844. I'm Yours 03:15


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I'm Yours
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1845. Insistance (Piano Only) 03:02


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Insistance (Piano Only)
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1846. Insistance (Strings Only) 03:02


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Insistance (Strings Only)
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1847. Missing Person (No Swells) 02:40


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Missing Person (No Swells)
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1848. Missing Person (Swells Only) 02:00


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Missing Person (Swells Only)
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1849. Out Here On My Own (Strings Only) 03:08


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Out Here On My Own (Strings Only)
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431 Gemafreie Musiktitel
1602 (GEMA-Repertoire)
[< 74 von 82