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süß, traurig, sanft
Searching, Traveling, Restless
Im Takt der Sanddünen auf dem heißen Wüstenwind dahin gleiten
Godfather inspired haunting melody evoking a sad and nostalgic, poignant mood. Played on trumpet accompanied by acoustic guitar in waltz time with accordion interweaving a counter-melody. Perfect fit for Italo-American themed productions and more.
Der Sehnsuchtsbackground schlechthin….wonach auch immer
Spacious, ethereal, edgy, tense music with a nice slow build in intensity. Atmospheric, grand, moody, dramatic, regal & engaging like a fanfare. would suit cinematic / documentary / dramatic / mystery / thriller type projects. Reflective / intelligent and thought provoking.
Zukunftsmusik für das nächste Weihnachten
Perfekte Einleitung für Dokumentationen und Imagefilme – sphärische und getragene Sounds, viel Abwechslung, weiche Beats die Platz für ein Voiceover lassen
Leicht melancholische, aber dennoch positve Musik, die zum Nachdenken anregt und in Erinnerungen schwelgen lässt. Sehr gefühlvoll. Version ohne Gesang am Ende
don't drink and play!
Volles Orchester, romantische Streicher, starke Akkordfolgen
The second movement of Beethoven's Moonlight Sonata is a contrast to the first movement. This movement is positive, playful and joyful but yet subdued. Lovely light melodies allow the piece to flow along nicely. The Piano Sonata No. 14 op. 27 no. 2 in C sharp minor by Ludwig van Beethoven, completed in 1801, is also known as the Moonlight Sonata. Beethoven himself gave his work the nickname Sonata quasi una Fantasia ("... quasi a fantasy"). The term "Fantasia" refers to the unusual sequence of movements of the sonata. This explains the untypical tempos of the respective movements for the conventional sonata form. The work does not have a first (fast) movement in sonata form, which sonatas of this period usually contain. It begins with an Adagio, followed by a more lively Allegretto with Trio, followed by a fast, highly dramatic Finale, which has the structure of a sonata-form. What is striking here is that the tempo increases from movement to movement. Franz Liszt characterized the piece by describing the second movement as "a flower between two abysses".
Sanfter Anfang, der sich zum Ende hin steigert.
Zwei Akustik-Gitarren in schönster Eintracht, da fallen selbst den Englein die Äuglein zu, so schööön
Short Japanese inspired track with ethnic instruments and a flavor of the east. Brimming with ethnic sounds such as Koto, Tambra and shakuhachi. The track builds into a nice warm resolution.